Enthroned Virgin and Child – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470311
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
Dein Suchergebnis zum Thema: einer
Armor – Italian, probably Milan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/22276
Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis.
Restored by Pacetti, Vincenzo – Statue of Dionysos leaning on a female figure ("Hope Dionysos") – Roman – Augustan or Julio-Claudian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/255973
Until 1796, collection of the Aldobrandini family, Aldobrandini Palace, Rome; 1796, purchased by Vicenzo Pacetti from the Aldobrandini family; 1796, acquired by Henry Philip Hope from Vicenzo Pacetti; 1796-1917, the Hope collection, displayed at the Duchess Street mansion, London and (after 1835) at Deepdene House, Dorking, Surrey, England (both residences of Thomas Hope, elder brother of Henry P
Statuenstützen und dekoratives Beiwerk an griechischen und römischen Bildwerken: ein
Hippopotami in Ancient Egypt – The Metropolitan Museum of Art https://www.metmuseum.org/essays/hippopotami-in-ancient-egypt
Many different types of hippopotamus representations occurred throughout ancient Egypt, but the most famous are doubtless the wonderful faience hippopotami . . .
“Eine viertausend Jahre alte Nilpferdfigur aus ägyptischer Fayence.”
Haremhab as a Scribe of the King – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544692?exhibitionId=%7B84492ae0-e217-43c5-85c0-e1eb45272036%7D&oid=544692&pkgids=77&pg=1&rpp=4&pos=1&ft=*&locale=en
Base, to the right(1) An „offering that the King gives“ of Thoth, the lord of hieroglyphs, lord of Hermopolis, weigher of truth, conveyor of Re in the night bark. May you grant response to a matter in its exactitude
Memphis in der Dritten Zwischenzeit: Eine Studie zur (Selbst-)Repräsentation von
Shaft-hole axe head with bird-headed demon, boar, and dragon – Bactria-Margiana Archaeological Complex – Bronze Age – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/329076
In Margiana: Ein Königreich der Bronzezeit in Turkmenistan, edited by Matthias Wemhoff
Kneeling bull holding a spouted vessel – Proto-Elamite – Proto-Elamite – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/329074
Das Tierbild in der Altmesopotamischen Rundplastik: Eine Untersuchung zum Stilwandel
The Hunters Return to the Castle (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/467641
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
The Unicorn Crosses a Stream (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/467639
Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."
Cover of a Writing Tablet – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475489
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
"Ãœber einige mittelalterliche Elfenbeinschnitzwerke und besonders über ein SpiegelgehÃ