Dein Suchergebnis zum Thema: einer

Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis.

This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
Nicolaes Berchem: ein Vorläufer des Rokoko.

Claude Monet, 1840–1926: Ein Fest für die Augen.

From the monastery of Moutiers-Saint-Jean, Côte d’Or, Burgundy, France; near Dijon; M. Ohresser, Moutier-Saint-Jean, France (until 1909) ; [ Demotte Inc., Paris (sold 1909) (?)] ; Michel Manzi French, Paris (through M
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

Marking: Two watermarks appear in the paper of these cards. One is in the form of a fork-tailed Gothic letter „p“ surmounted by a quatrefoil and appears at least in part, on the 2 of Nooses, the 2 of Dog Collars and the queen of Horns
Gemalte Spielkarten: Eine kleine Geschichte der Spielkarten anhand gemalter Unikate

Eine immerwährende Krönung: Charles VII (1403-1461) und die Throntapisserie im

[By 1932, known on the art market]; [1940, purchased by Joseph Brummer from Arthur Upham Pope (Brummer inv. no. N4513)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
"Eine Silberschüssel Artaxerxes I," Archaeologische Mitteilungen aus Iran VII, pp

Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
Eine Auswahl: Bücher, Graphik, Dokumente. Katalog 100.

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
Berlin picture well and in his monograph on the artist (see Jakob Adriaensz Backer, ein

Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis.