Courtiers in a Rose Garden: A Lady and Two Gentlemen – South Netherlandish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/463188
Eine immerwährende Krönung: Charles VII (1403-1461) und die Throntapisserie im
Dein Suchergebnis zum Thema: einer
Lobed bowl with a royal inscription – Achaemenid – Achaemenid – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324026
[By 1932, known on the art market]; [1940, purchased by Joseph Brummer from Arthur Upham Pope (Brummer inv. no. N4513)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
"Eine Silberschüssel Artaxerxes I," Archaeologische Mitteilungen aus Iran VII, pp
George Grosz – Erste George Grosz-Mappe – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/491927
Inscription: Title page inscribed: Nr. 18; porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; extra porfolio folder inscribed and dated: Erste / George Grosz – Mappe / 1917; „Erinnerung an New York“ (lithograph) inscribed (lower left, on verso): Erinnerung an New York / George Grosz; „Straße in der Stadt“ (lithograph) inscribed (lower left, on verso):
Eine Auswahl: Bücher, Graphik, Dokumente. Katalog 100.
The Virgin Mary and Five Standing Saints above Predella Panels – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/473007
From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pflaz (Rhein-Hunsrück-Kreis), near Koblenz, Germany; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875-1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, nos
"Die Karmeliterfenster von Boppard: ein quellenkritischer Beitrag zur Kontroverse
Roundel with Scenes of the Attack on the Castle of Love – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/475487
"Ãœber einige mittelalterliche Elfenbeinschnitzwerke und besonders über ein SpiegelgehÃ
Foot-Combat Helm of Sir Giles Capel (1485–1556) – possibly British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/21997
Sir Giles Capel, Rayne Hall, Essex, England (until d. 1556; bequeathed to All Saints Chapel); All Saints Chapel, Rayne Hall, Essex, England (1556–1840; removed by Parmenter); William Parmenter, Bocking, Essex, England (1840–about 1866; sold for 10 s, to Courtauld); Edith Courtauld (later Arendrup), London, England (about 1866–80; gift to de Cosson); Baron Charles Alexander de Cosson, London (1880–93; sold on April 17, 1893, for Fr
Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis.
Nicolaes Berchem – Rest – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435655
This is one of the earliest known works by Berchem, and is generally consistent with Haarlem landscape painting of the 1640s. Though the painting has awkward passages, especially the female figure and the cow, the trees and sky are fluidly painted
Nicolaes Berchem: ein Vorläufer des Rokoko.
Claude Monet – The Four Trees – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437121
Claude Monet, 1840–1926: Ein Fest für die Augen.
Johann Friedrich Overbeck – The Banishment of Hagar – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/743039
Briefe eines deutschen Künstlers aus Italien.
Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435597
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
Berlin picture well and in his monograph on the artist (see Jakob Adriaensz Backer, ein