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Workshop of Biduinus – Portal from the Church of San Leonardo al Frigido – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471911

The reconstructed portal is composed of five medieval elements. Neither the bases nor the arch of rosettes were part of the medieval monument. The two jambs of gray Carrara marble were apparently recarved from sections of antique sarcophagi
"The Cloisters: Ein Museum für mittelalterliche Kunst in New York."

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God Horus Protecting King Nectanebo II – Late Period – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544887

Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
"Ein Königskopf der Spätzeit mit dem "Blauen Helm" in Tübingen."

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Helmet – Turkish, probably Istanbul – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/27936

Inscription: Inscribed on top of the nasal: „There is no God but God“, „Mohammad is the Messenger of God“; below the nasal: „Victory from God“, „By order of Safi ad-Din Ahmad Ibn (al-Hasan?)“; at the base of the nasal: „and close (imminent) conquest“; on the band at the base of bowl: a Koranic inscription; on the peak or visor, pious inscriptions which includes the 99 names of Allah, among them: „the hearing, the wise“; on the right cheek piece, front plate: „God“; on the right cheek piece, bottom most plate: „Oh living“, „Oh everlasting
Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis.

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