Once the toast of Paris, avant-garde photographer Germaine Krull held a mirror to queer life in interwar France.
How could the dangers of rampant female sexuality be curtailed with lesbians walking
For the devout, the veneration of these five [celestial] Buddhas offered a direct path to breaking free of the cycle of rebirth, a goal facilitated by their innumerable manifestations that make up the Himalayan Buddhist pantheon.
Tara offering protection against disease, malevolent spirits, or war, among other dangers
The methods of construction for this small box are typical for Gothic ivory boxes made in northern France in the first third of the fourteenth century. The edges of the four side panels are beveled into rabbet joints
ethics of a life devoted to pleasure and asks readers and listeners to beware of the dangers
Historical [Tibetan] armor and weapons were preserved due to the long-standing tradition of placing votive arms in monasteries and temples, where they are kept in special chapels, known as gonkhang (mgon khang), and dedicated to the service of guardian deities.
Mongolian late 15th–early 17th century Bow Case, Quiver, and Belt (gzhu shubs dang
Cranach first treated the theme of Venus and Cupid in 1509, both in a woodcut showing the figures in a landscape setting, and in a life-size painting (State Hermitage Museum, St. Petersburg) in which the figures are shown against a black background
treatments of the subject of 1509, this work　does not admonish the viewer about the dangers
How have printmakers in the United States addressed a long history of inundation and the social inequities it exacerbates?
compelled by “Wright’s vivid dramatic setting.� This story, which juxtaposes the dangers
European artists from the Renaissance onward have visualized the known world through allegorical figures derived from ancient Egyptian, Greek, and Roman personifications.
While these fierce animals demonstrate the exotic dangers of Africa, they were also
Discover the rich history of printmaking in Mexico and the The Met’s collecting of these prints.
Right: Carlos Orozco Romero (Mexican, 1896–1984), Poster warning of the dangers of
Learn about the themes explored in the exhibition „Michelangelo: Divine Draftsman and Designer.“
corners represent episodes in the deliverance of the Jewish people from mortal dangers
In this interview, exhibition curator Kiki Karoglou shares provocative insights into the contemporary relevance of mythological hybrid beings and offers a behind-the-scenes look into the making of the exhibition.
accompanies the exhibition you speculate that the hybrids are a metaphor for the dangers
