Dein Suchergebnis zum Thema: beere

Venus, as if filled with foreboding about Adonis’s fate, desperately clings to her lover, while he pulls himself free of her embrace, impatient for the hunt and with his hounds straining at the leash. The goddess’s gesture is echoed by that of Cupid, who anxiously watches the lovers’ leave-taking while clutching a dove—a creature sacred to Venus.
Esmond S. de Beer, 6 vols., Oxford, 1955: 4:162).

In 1648 a contemporary writer noted that Willem Claesz Heda was a specialist in breakfast and banquet still lifes, painting „fruit, and all kinds of knick-knacks.“ At first sight, Heda’s largest known still-life painting appears to welcome the viewer to a sumptuous feast. Yet pewter plates teeter precariously over the table’s edge, while a translucent goblet and a silver tazza have toppled over, indicating that the feast has already been enjoyed.
cylindrical vessel holding a small pile of salt, and a straight-sided, low glass holding beer

The three cargo ships in this large painting are the type of wide-bellied, seagoing vessels used to transport much of the commodities that generated the wealth of the Dutch in the seventeenth century. Flying the red, white, and blue flag of the Dutch Republic, these floating symbols of national prosperity are nevertheless in peril of crashing on the rocky shore.
New Haven, 1995: 223-224, repro. 2002 Beer, Gerlinde de.

rounded out the feast, which would have been washed down with ample glasses of beer

See these 10 works by queer artists during your next visit.
Chester Dale Collection, 1963.10.158 “Why should I paint dead fish, onions, and beer

The crest bearing three cows’ heads, visible on the wall behind the sitter, indicates that this young man is a member of the prosperous Coymans family of Haarlem. The cows’ heads refer directly to the Dutch family name, which translates as „cow man.“ Archival and genealogical information, combined with the Latin inscription „AETA SVAE.22 / 1645“ below the shield, identifies the sitter as Willem Coymans, who was twenty-two years old in 1645.
Gallery of Art, Washington (undated, 1960s): 20, as Balthasar Coymans. 1963 Beeren

[8] Letter from Bellows to Katherine Hiller, 1910, quoted in Thomas Beer, George

relations department, the work of Sandy Masur, her successor, Chris Myers, and Jeanette Beers

A play and a painting appear to have merged in Jan van Eyck’s dramatic Annunciation , which is rich with Christian symbolism. The rainbow-winged archangel Gabriel tells the Virgin Mary that God has chosen her to bear his son.
New York, 1946: 43-45, color repro. 1948 Beer, E. S. de.

An artist, an ecologist, a poet, a chef, a ballet dancer – and more! Discover notable people exploring the many stories revealed in art from the National Gallery’s rich collections. Set your own pace by selecting as many tour stops as you like, in the order you choose. Just enter the track number below, press go, then press the play button when the tour stop appears. Don’t forget your headphones!   Made possible by a grant from the Alice L. Walton Foundation
I am a school social worker at Anne Beers Elementary School in Washington, D.C.