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Still-Life Painting in Northern Europe, 1600–1800 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/still-life-painting-in-northern-europe-1600-1800

In general, the rise of still-life painting in the Northern and Spanish Netherlands … reflects the increasing urbanization of Dutch and Flemish society, which brought with it an emphasis on the home and personal possessions, commerce, trade, learning—all the aspects and diversions of everyday life.
arranged familiar foods (ham, cheese, oysters, and so on) and glasses of wine or beer

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African Magus, one of the Three Kings from an Adoration Group – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471432

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952) ]
Beer, Manuela, and Moritz Woelk, ed. The Magi: Legend, Art and Cult.

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Rococo Revival Parlor | The Metropolitan Museum of Art

https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/rococo-revival-parlor

The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).
Published by Beers, Comstock & Cline. From the New York Public Library.

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