As Henry James remarked in 1887: “It sounds like a paradox, but it is a very simple truth, that when to-day we look for ‘American art’ we find it mainly in Paris.”
that they have all got the blue-green color of Monet’s impressionism and ‘got it bad
cards relating to the Primavesis—a postcard of June 26, 1912, to Emilie Flöge in Bad
Bad Neustadt an der Saale, 1996, p. 347, doc. no. 2.171 [translated from the French
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
that our world was created in the intermingling of the cosmic forces of good and bad
The most musical tree in the world.
It doesn’t have any bad habits.
This library comes from a red-brick Gothic Revival villa built for banker Frederick Deming (1787–1860) and his family in the hamlet of Balmville, New York. The house is a classic example of the Gothic Revival style in domestic architecture and the room is arranged to illustrate how an upper-middle-class family might have furnished their library.
Goadesberg" on his sketch from May 9, 1852, is probably a reference to the town Bad
Discover the rich history of printmaking in Mexico and the The Met’s collecting of these prints.
active 1870s), El pueblo merece malos gobernantes cuando los tolera (People deserve bad
The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
Patrick Bade. Degas. London, 1991, pp. 84–85, 143, ill. (color).
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
attribution to Hubert; suggests the figure with a turban that appears alongside the bad
Signature: Signed on dial: Achenbach & Schmidt à NeuwiedMarquetry signed on front of pendulum case: REUSCHInscription: Dials inscribed: PHILADELPHIA, MEXICO, PEKING, HISPAHAN, CAS-BON-SPEI, CAIRO, ROM, LISABON, LONDEN, ST
Bad Neustadt an der Saale, 1984, pp. 60–61, 67–68. 2.
