(by 1850–presumably until d. 1882); by descent through the Rosenberg family, Wuppertal-Barmen
(by 1850–presumably until d. 1882); by descent through the Rosenberg family, Wuppertal-Barmen
New York, 1881–Irschenhausen, Germany, 1947
artist married Adeline Schuchard, daughter of a wealthy industrialist family from Wuppertal-Barmen
Harrogate, England, 1906—London, 1988, and Paris, 1916—Paris, 1995
By 1964, when the Hulton collection was on view in Wuppertal, Germany in an exhibition
London, 1883—Los Angeles, 1940
Kahnweiler), she acquired Gris’s Pierrot with Guitar (1922; Von der Heydt Museum, Wuppertal
La Chaux de Fonds, Switzerland, 1887–Roquebrune-Cap-Martin, France, 1965
Léger, Composition avec profil (Couteau et figure) (1926; Von der Heydt Museum, Wuppertal
the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
Von der Heydt-Museum Wuppertal.
Lage, Germany, 1880–Lausanne, Switzerland, 1959
with his family, lived and worked in his native Germany, chiefly in Barmen (now Wuppertal
Exh. cat., Von der Heydt-Museum Wuppertal. Wuppertal, 2014, p. 385.
cklin’s Island of the Dead at the Hour of the Angelus (1932; Von der Heydt-Museum, Wuppertal
Wuppertal, 2017, pp. 118, 171, 302, 305. Gerhard Finckh in Edouard Manet. Ed.
