Dein Suchergebnis zum Thema: Winterthur

Discover works by Benjamin West and learn about the artist
Winterthur Portfolio 17 (1982): 243-257. 1986 Von Erffa, Helmut, and Allen Staley

Impressionisten Renoir, Cézanne, Monet, Manet, Sammlung Oskar Reinhart "Am Römerholz", Winterthur

, Paul Exhibition History 1955 Europäische Meister 1790-1910, Kunstmuseum, Winterthur

Taeuber-Arp, Composition, c. 1918, graphite and body colors on paper, Kunst Museum Winterthur

The title „Improvisations“ refers to a series of works that Kandinsky painted between 1909 and 1913 which was, according to the artist, „a largely unconscious, spontaneous expression of inner character, non-material nature.“
Kunsthalle Bern, 1955, no. 33. 1961 Der Blaue Reiter und sein Kreis, Kunstmuseum Winterthur

At the beginning of the twentieth century, as he turned from a career as a painter and a graphic and tapestry designer to concentrate on sculpture, Aristide Maillol was shaping what would become the leitmotif of his career. The subject that inspired him was the female nude, carefully observed but transmuted by underlying geometric forms into a kind of architecture, evoking the timeless rather than the individual.
He commissioned a full-sized stone version (now at Winterthur, Oskar Reinhart Collection

Hostilities between North American colonists and Britain were boiling over in the 1770s when Benjamin West painted this double portrait. The British wanted to ensure the loyalty of the Mohawk people, the easternmost tribe of the Haudenosaunee (Iroquois Confederacy), in case of war.
Winterthur Portfolio 40, no. 1 (Spring 2005): 47-75, fig. 3.

Seventeen years after Benjamin West settled in England, a London newspaper’s review of the 1780 Royal Academy exhibition stated that The Battle of La Hogue „exceeds all that ever came from Mr. West’s pencil.“ In 1692, Louis XIV of France had mounted an ill-fated attempt to return James II, a fellow Catholic, to the throne of England.
Winterthur Portfolio 6 (1970): 132. Dickason, David Howard.

Fleeing the violence of the American Revolution, John Singleton Copley and his family settled in London in 1775. While Copley (standing at top left) tried to remain neutral, his father-in-law Richard Clarke (seated in front of the artist) supported the British.
Winterthur Portfolio 22, no. 4 (Winter 1987): 256, repro. 259. 1988 Wilmerding

Sensational and scandalous for an American audience unused to seeing classically nude statues of women, this figure by Hiram Powers caused a frenzy when it was first exhibited in the mid-19th century. Curious viewers came in droves to see it after Powers sent several copies from Italy, where he created the work.
Winterthur Portfolio 43, no. 1 (2009): 5, repro. Moore, Charlotte Emans.