Dein Suchergebnis zum Thema: Winterthur

Hostilities between North American colonists and Britain were boiling over in the 1770s when Benjamin West painted this double portrait. The British wanted to ensure the loyalty of the Mohawk people, the easternmost tribe of the Haudenosaunee (Iroquois Confederacy), in case of war.
Winterthur Portfolio 40, no. 1 (Spring 2005): 47-75, fig. 3.

Sensational and scandalous for an American audience unused to seeing classically nude statues of women, this figure by Hiram Powers caused a frenzy when it was first exhibited in the mid-19th century. Curious viewers came in droves to see it after Powers sent several copies from Italy, where he created the work.
Winterthur Portfolio 43, no. 1 (2009): 5, repro. Moore, Charlotte Emans.

Fleeing the violence of the American Revolution, John Singleton Copley and his family settled in London in 1775. While Copley (standing at top left) tried to remain neutral, his father-in-law Richard Clarke (seated in front of the artist) supported the British.
Winterthur Portfolio 22, no. 4 (Winter 1987): 256, repro. 259. 1988 Wilmerding