Dein Suchergebnis zum Thema: Wilder Westen

In the spring of 1826, Thomas Cole met Robert Gilmor Jr., a highly knowledgeable and sophisticated Baltimore collector, who soon commissioned a view of Catskill Mountain House, a popular hotel overlooking the Hudson River Valley. After a summer spent sketching and painting in the area and corresponding with his patron concerning the selection of a new subject, Cole completed Sunrise in the Catskills in early December and had it delivered to Baltimore on Christmas Day.
This is not a tamed and cultivated portion of the American landscape but a remote, wild

Childe Hassam was a regular visitor to the Isles of Shoals, nine small, rocky, treeless islands off the New Hampshire coast. His acquaintance with the islands was due to his poet friend Celia Thaxter, whose house on Appledore Island was a summer mecca for writers, painters, illustrators, musicians, and other artistic visitors.
Here, only a passing sailboat hints that we are not in some pristine, wild environment

Completed in February 1911, New York is a large, ambitious painting in which George Bellows captures the essence of modern life in New York City. Although the viewer looks uptown toward Madison Square from the intersection of Broadway and 23rd Street, Bellows did not intend to represent a specific, identifiable place in the city.
CHARLES BROCK: What I love about it is its wild ambition.

The Minnesota artist’s humanist, ecological pottery contains operating instructions for our shared survival.
He’d get donations of wild rice hulls from the White Earth and Red Lake Indigenous

Still lifes with hunting motifs became popular in Dutch art in the latter part of the seventeenth century, at a time when Dutch society grew wealthier and more refined. Willem van Aelst, who worked in Paris and Florence before settling in Amsterdam, was one of the first still-life painters to depict hunting trophies.
This kill includes a white rooster, a wild hare, a partridge, and several songbirds

Venus, as if filled with foreboding about Adonis’s fate, desperately clings to her lover, while he pulls himself free of her embrace, impatient for the hunt and with his hounds straining at the leash. The goddess’s gesture is echoed by that of Cupid, who anxiously watches the lovers’ leave-taking while clutching a dove—a creature sacred to Venus.
™s love for the beautiful young huntsman Adonis, who was tragically killed by a wild

Peter Paul Rubens’s enormous painting, based on the Old Testament story of Daniel, puts us right in the lions’ den. The Jewish youth was condemned to spend the night with the brutal beasts for worshipping his God rather than the Persian king Darius.
worship the Babylonian king, has thrown him into a lions’ den, expecting the wild

in June 1913 during Henri’s first visit to Achill Island, County Mayo, off the west

The door has crushed a wild-haired demon with red-colored skin against the pebble-strewn

Use your smartphone to explore a wide range of works through the voices of National Gallery of Art curators. Set your own pace by listening to as many stops as you like in the order you choose. Don’t forget to bring your headphones! To listen to information about a work of art, enter the stop number in the box below, select „go“, and press the play button when the stop appears. This tour is available in Español, Français, PуÑ�Ñ�кий, 中文, 日本語, and 한국어.  
Head of a Woman (English) Transcript NARRATOR: Many early twentieth century Western