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The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
Jahrbuch der kunsthistorischen Sammlungen in Wien 35 (1920–21), p. 12, observes
New School for Social Research, New York (1931–82; unveiled January 1, 1931; sold in May 1982 to Maurice Segoura Gallery); [Maurice Segoura Gallery, New York, 1982–84; sold on February 1, 1984 to Equitable Life]; The Equitable Life Assurance Society of the United States (now AXA), New York (1984–2012; their gift to MMA)
Jake Milgram Wien in American Epics: Thomas Hart Benton and Hollywood. Ed.
The Artist: Joachim Patinir was born in the southern Lowlands, either in Dinant or Bouvignes (southeastern Belgium). Although the date of his birth is unknown, it was probably around 1480 or 1485
Landschaftsmalerei von PAtinir bis Bruegel,“ Jahrbuch der kunsthistorischen Sammlungen in Wien
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Jahrbuch der kunsthistorischen Sammlungen in Wien 70 (1974). p. 77, fig. 67.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Jahrbuch der kunsthistorischen Sammlungen in Wien 70 (1974). p. 77, fig. 67.
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
Jahrbuch der kunsthistorischen Sammlungen in Wien 35 (1920–21), pp. 4, 6–8, fig
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Wiener Co- Chairs Douglas Durst T. J. Gottesdiener Peter M.
By the turn of the twentieth century, a new stylistic vocabulary—with distinct regional characteristics—had been firmly established. Whether realistic or abstract, exuberant or restrained, curvilinear or geometric, there was a consistency in the purposeful rejection of outmoded tastes and exploration of new design influences.
1904 Washstand Charles Rennie Mackintosh 1904 Tea service Josef Hoffmann Wiener
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Met Art in Publication Ensemble Wiener Werkstätte late 1910s–20s Evening dress
