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The Met’s Timeline of Art History pairs essays and works of art with chronologies and tells the story of art and global culture through the collection.
Graphische Sammlung Albertina, Vienna: Photo © Albertina, Wien American Neoclassical
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Ludwig, Holland Festival, Kunstenfestivaldesarts, Festival d’Automne, Tanzquartier Wien
Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
Jahrbuch der kunsthistorischen Sammlungen in Wien, n.s., 7 (1933), p. 56, fig. 54
This work is usually identified as depicting Marius’s victory over the invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
„Rundschau: Wien, Neuerwerbungen der Galerie.“ Pantheon 7 (January 1931), p.
This work depicts the triumphal procession of the Roman general Gaius Marius, in his chariot, with the defeated African king Jugurtha, in chains, walking before him, an event that took place in 104 B.C
„Rundschau: Wien, Neuerwerbungen der Galerie.“ Pantheon 7 (January 1931), p.
This work is usually identified as depicting the bloody capture of Carthage by Publius Cornelius Scipio, an event that took place in 146 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
„Rundschau: Wien, Neuerwerbungen der Galerie.“ Pantheon 7 (January 1931), p.
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
Jahrbuch der kunsthistorischen Sammlungen in Wien, n.s., 2 (1928), pp. 192–93,
Exh. cat., Kunstforum Wien. Vienna, 2005, p. 25, fig. 2 (color).
Saint Matthew is shown seated in a dark interior lit by an oil lamp and assisted by an angel in his writing of the gospel. The diminutive scenes in the background, whose subjects have been debated, relate to his life as presented in the Golden Legend
Jahrbuch der kunsthistorischen Sammlungen in Wien, n.s., 2 (1928), pp. 192–93,
The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
Jahrbuch der kunsthistorischen Sammlungen in Wien 35 (1920–21), p. 12, observes
