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Attributed to Kolman Helmschmid – Cuirass and Tassets (Torso and Hip Defense) – German, Augsburg – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/24660?exhibitionId=%7B2bd6bac9-a0ea-4f15-8c36-180ac59e87e3%7D&oid=24660&pkgids=594&pg=1&rpp=4&pos=1&ft=*&locale=en

New York. Brooklyn Museum. „Loan Exhibition of European Arms and Armor,“ June 12–October 31, 1933, no. 4.Los Angeles. Los Angeles County Museum of Art. „Loan Exhibition of Mediaeval and Renaissance Arms and Armor from the Metropolitan Museum of Art,“ January 15–March 18, 1953, no
Jahrbuch des Kunsthistorischen Museums Wien (2011–12), pp. 66–67, fig. 8, n.

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Jacopo Tintoretto (Jacopo Robusti) – Portrait of a Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437822?exhibitionId=%7Bd5188752-7c13-41f5-83fa-b1ab2e04b736%7D&oid=437822&pkgids=455&pg=1&rpp=4&pos=4&ft=*&locale=en

Although better known as a painter of large-scale canvases, Tintoretto produced numerous portraits and was highly esteemed by his contemporaries as a portraitist. It was he, indeed, and not Veronese, Titian’s protégé, who replaced Titian as official portraitist of the Venetian government (in 1559, although the sansaria, or state stipend, was granted in 1574)
„Zur Ausstellung in Wien: Tintoretto und der ‚Weissbärtige Mann‘ im ‚Bordone-Saal

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Restored by Pacetti, Vincenzo – Statue of Dionysos leaning on a female figure („Hope Dionysos“) – Roman – Augustan or Julio-Claudian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/255973

Until 1796, collection of the Aldobrandini family, Aldobrandini Palace, Rome; 1796, purchased by Vicenzo Pacetti from the Aldobrandini family; 1796, acquired by Henry Philip Hope from Vicenzo Pacetti; 1796-1917, the Hope collection, displayed at the Duchess Street mansion, London and (after 1835) at Deepdene House, Dorking, Surrey, England (both residences of Thomas Hope, elder brother of Henry P
des Dionysos in der Rundplastik der klassischen Zeit Griechenlands. pp. 69–72, Wien

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The Unicorn Crosses a Stream (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/467639

Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
Illustrierte Berichte aus Berlin, London, New-York, Minneapolis, München, Paris, Wien

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