Dein Suchergebnis zum Thema: Wien

Mythos und Sage bei den Griechen, 2nd.. p. 169, fig. 9, Brünn/München/Wien: Rudolf

Oktober 1992: eine Ausstellung des Kunsthistorischen Museums Wien.

Milano & Wien: Kunsthistorisches Museum, Vienna and Skira, 88, Cat. no. 88, p. 239

[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as „maisons étagées,“ sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K
Kunstforum Wien.

Wien-München: A. Schroll, pl. 5. Alpatov, Mikhail 1961.

"Ausstellungen: Wien."

Until 1796, collection of the Aldobrandini family, Aldobrandini Palace, Rome; 1796, purchased by Vicenzo Pacetti from the Aldobrandini family; 1796, acquired by Henry Philip Hope from Vicenzo Pacetti; 1796-1917, the Hope collection, displayed at the Duchess Street mansion, London and (after 1835) at Deepdene House, Dorking, Surrey, England (both residences of Thomas Hope, elder brother of Henry P
des Dionysos in der Rundplastik der klassischen Zeit Griechenlands. pp. 69–72, Wien

Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
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Illustrierte Berichte aus Berlin, London, New-York, Minneapolis, München, Paris, Wien

Inscription: (top center): F [image of a knot] R (too fragmentary for interpretation, most likely added later as a reference to Francius de La Rochedfoucauld) (in each corner): : A [image of a knot] E [reversed] (unidentified)(on two dog collars): A [image of a knot] E [reversed] (unidentified)
Illustrierte Berichte aus Berlin, London, New-York, Minneapolis, München, Paris, Wien