Meintest du wie?
Mythos und Sage bei den Griechen, 2nd.. p. 169, fig. 9, Brünn/München/Wien: Rudolf
Milano & Wien: Kunsthistorisches Museum, Vienna and Skira, 88, Cat. no. 88, p. 239
Oktober 1992: eine Ausstellung des Kunsthistorischen Museums Wien.
[probably Ambroise Vollard, Paris, by 1895–until 1896; stock book B, no. 3451, as „maisons étagées,“ sold on February 27, 1896 to Costa]; probably count Enrico Costa (from 1896); [Ambroise Vollard, Paris, 1904/6–until 1924; sold on February 12, 1924 to Thannhauser]; [Justin K
Kunstforum Wien.
Wien-München: A. Schroll, pl. 5. Alpatov, Mikhail 1961.
Until 1796, collection of the Aldobrandini family, Aldobrandini Palace, Rome; 1796, purchased by Vicenzo Pacetti from the Aldobrandini family; 1796, acquired by Henry Philip Hope from Vicenzo Pacetti; 1796-1917, the Hope collection, displayed at the Duchess Street mansion, London and (after 1835) at Deepdene House, Dorking, Surrey, England (both residences of Thomas Hope, elder brother of Henry P
des Dionysos in der Rundplastik der klassischen Zeit Griechenlands. pp. 69–72, Wien
Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
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Although better known as a painter of large-scale canvases, Tintoretto produced numerous portraits and was highly esteemed by his contemporaries as a portraitist. It was he, indeed, and not Veronese, Titian’s protégé, who replaced Titian as official portraitist of the Venetian government (in 1559, although the sansaria, or state stipend, was granted in 1574)
"Zur Ausstellung in Wien: Tintoretto und der ‚Weissbärtige Mann‘ im ‚Bordone-Saal
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