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Peter Paul Rubens – The Garden of Love (left portion) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/334653

Inscription: Inscribed lower right: Petro Pauwlo RubbensOn back of mount: J C Robinson / July 18 1983 from Ld. Aylesford coll. (see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s mark of Sir John Charles Robinson (Lugt 1433)On mount collector’s stamp of Earl of Aylesford (Lugt 58)
Otto Benesch "Beiträge zum Werk des Rubens." in Alte und Neue Kunst (Wiener Kunstwissenschaftlicher

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Attributed to Jean Le Noir – The Prayer Book of Bonne of Luxembourg, Duchess of Normandy – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471883?exhibitionId=%7Bd20ab657-2534-4cc6-bd28-f0deb72d7434%7D&oid=471883&pkgids=584&pg=1&rpp=4&pos=3&ft=*&locale=en

Bonne of Luxembourg (d. 1349) ; Charles V, King of France (by descent, d. 1380) ; Ambroise Firmin-Didot, Paris (until 1882) ; his sale, Hôtel Drouot, Paris (June 12–17, 1882, no. 3) ; Baron Horace de Landau, Florence (d
Wiener Jahrbuch für Kunstgeschichte 42 (1989). pp. 128–29.

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Art of the First Cities | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2003/art-of-the-first-cities

Art of the First Cities surveys the evolution of art and culture in the land between the rivers Tigris and Euphrates and their impact on the emerging cities of the ancient world—from the Aegean and Eastern Mediterranean across Central Asia and along the Gulf to the Indus Valley—during one of the most seminal and creative periods in history.
Malcolm Wiener (forthcoming) has recently reviewed issues of absolute chronology

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The Limbourg Brothers – The Belles Heures of Jean de France, duc de Berry – French – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/470306

Jean, Duke of Berry d. 1416 (1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou (1417–d.1443) ; Pierre-Gabriel Bourlier, baron d’Ailly (before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d
Wiener Jahrbuch für Kunstgeschichte 46/47, pt. 1 (1993–1994). pp. 28, 29, fig.

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