Lintel with Anthropomorphic Dragon in Foliage – Vietnam or Cambodia – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/38315
Line: Gift of Margery and Harry Kahn, 1985 Object Number: 1985.390.1 [ Doris Wiener
Line: Gift of Margery and Harry Kahn, 1985 Object Number: 1985.390.1 [ Doris Wiener
Through an outstanding group of portraits, this major loan exhibition will introduce visitors to the various new and complex ways artists portrayed the elite of Medicean Florence, representing the sitters‘ political and cultural ambitions and conveying the changing sense of what it meant to be a Florentine at this defining moment in the city’s history.
Art, Filippo Benappi, the Colnaghi Foundation, Marco Voena, the Malcolm Hewitt Wiener
Paris, 1879–Paris, 1944
Influenced by Wiener Werkstätte, the Austrian fine and decorative artists’s cooperative
Glenn Adamson, Dakin Hart, and Kate Wiener.
[Paul Munro-Walker, Bournemouth, Dorset, United Kingdom, before 1972; sold to Vecchi]; [Virgilio Costantino Vecchi, V. C. Vecchi & Sons, London, until 1972; sold to a private collector]; private collection, Switzerland (1972–2017; sold through Plektron Fine Arts A
Lauder, Friends of Arms and Armor and Malcolm Hewitt Wiener Foundation Gifts, 2017
Otto Benesch "Beiträge zum Werk des Rubens." in Alte und Neue Kunst (Wiener Kunstwissenschaftlicher
Said to have been discovered at the mouth of the Nile River, Egypt (Sotheby’s, New York. Sale catalogue, November 21-22, 1985, lot 50) By 1931, art market, Rome (Deutsches Archäologisches Institut, Rome, neg
Foundation, Jeannette and Jonathan Rosen, Judy and Michael Steinhardt, Malcolm Hewitt Wiener
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
White & Case LLP Malcolm Hewitt Wiener Foundation Barrie A. and Deedee Wigmore Foundation
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Wiener David S. Winter Hon.
On view May 9 through August 5, 2007, the exhibition explores the Paul Poiret’s modernity in relation to and as an expression of the dominant discourses of the early twentieth century, including Cubism, Classicism, Orientalism, Symbolism, and Primitivism.
draped, unstructured clothes and his fascination with the Ballets Russes and the Wiener