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Saint John in the Desert by Domenico Veneziano

https://www.nga.gov/artworks/12146-saint-john-desert

One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
National Gallery of Art, Washington (undated, 1960s): 10, as St.

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Empire Triumphant over Avarice by Adriaen de Vries

https://www.nga.gov/artworks/1287-empire-triumphant-over-avarice

Adriaen de Vries won international fame for active bronze figures that reflect both his study of nature and his training in Florence with Giovanni Bologna, the greatest 16th-century sculptor after Michelangelo. De Vries’s complicated poses continued the style known as mannerism, but he also saw ancient bronze sculpture as a model to surpass.
and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

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Study for "Swing Landscape" by Stuart Davis

https://www.nga.gov/artworks/166441-study-swing-landscape

This modest canvas is an impressive work in its own right as well as an important document of one of Stuart Davis’s greatest paintings, Swing Landscape (Indiana University Art Museum), a mural he painted for the Williamsburg Houses in Brooklyn, New York, in 1938. He submitted this one-quarter-scale study for the mural to the Works Progress Administration, which employed Davis and many other artists to decorate public buildings during the Depression.
The Washington Post (16 December 1982): A22. Richard, Paul.

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Zinnias by Walt Kuhn

https://www.nga.gov/artworks/53135-zinnias

Walt Kuhn’s interest in still-life painting intensified throughout his career. During an extended stay in Paris in the summer of 1933, Kuhn proclaimed in a letter home that he would focus on still life when he returned to the United States.
and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

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