Roulin’s Baby by Vincent van Gogh https://www.nga.gov/artworks/46506-roulins-baby
National Gallery of Art, Washington, 1965: 126, repro.
National Gallery of Art, Washington, 1965: 126, repro.
One of Domenico Veneziano’s major works is an altarpiece that he painted about 1445 for the Church of Santa Lucia dei Magnoli, in Florence. The incident illustrated in this small panel from the base of the altarpiece is John’s act of exchanging his rich, worldly clothes for a rough, camel–hair coat.
National Gallery of Art, Washington (undated, 1960s): 10, as St.
Adriaen de Vries won international fame for active bronze figures that reflect both his study of nature and his training in Florence with Giovanni Bologna, the greatest 16th-century sculptor after Michelangelo. De Vries’s complicated poses continued the style known as mannerism, but he also saw ancient bronze sculpture as a model to surpass.
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This modest canvas is an impressive work in its own right as well as an important document of one of Stuart Davis’s greatest paintings, Swing Landscape (Indiana University Art Museum), a mural he painted for the Williamsburg Houses in Brooklyn, New York, in 1938. He submitted this one-quarter-scale study for the mural to the Works Progress Administration, which employed Davis and many other artists to decorate public buildings during the Depression.
The Washington Post (16 December 1982): A22. Richard, Paul.
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
Walt Kuhn’s interest in still-life painting intensified throughout his career. During an extended stay in Paris in the summer of 1933, Kuhn proclaimed in a letter home that he would focus on still life when he returned to the United States.
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