Dein Suchergebnis zum Thema: Washington

and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

This bold composition reveals the influence of the flat, patterned surfaces, simplified color, and unusual angles of Japanese prints, which enjoyed a huge vogue in Paris in the late 1800s. The dark figure of the man compresses the picture onto the flat plane of the canvas, and the horizon is pushed to the top, collapsing a sense of distance.
National Gallery of Art, Washington, D.C.

Commissioned for the Chapel of San José in Toledo by Martín Ramírez, a namesake of the saint and donor of the chapel, Saint Martin and the Beggar was part of one of the artist’s most successful ensembles. The saint, who lived during the reign of Constantine the Great, was a member of the imperial cavalry stationed near Amiens, in Gaul.
Washington, 1968: 54, repro. 1969 Manzini, Gianna, and Tiziana Frati.

This painting, one of two views of Mortlake Terrace painted by Turner, is a view from the house, looking directly west into the luminous glow of the setting sun. Turner established the quiet mood of the late-afternoon scene with two ivy-covered elm trees, whose soft, feathery leaves and curving limbs frame the painting.
National Gallery of Art, Washington.

and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington

Joseph, Mary, and her newborn son, Jesus, have fled Bethlehem and are on the road to Egypt. They are escaping from King Herod, who wanted the child killed.
National Gallery of Art, Washington, D.C.

From a distance of ten feet or so, Monet’s brushstrokes blend to yield a convincing view of the Seine and the pleasure boats that drew tourists to Argenteuil. Up close, however, each dab of paint is distinct, and the scene dissolves into a mosaic of paint—brilliant, unblended tones of blue, red, green, yellow.
and Maps Closed today  Admission is always free 6th and Constitution Ave NW  Washington