Smiling Margot Wearing a Ruffled Bonnet by Mary Cassatt https://www.nga.gov/artworks/74275-smiling-margot-wearing-ruffled-bonnet
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
Juliana Willoughby stands quietly but alertly, engaging the viewer with her direct, slightly questioning gaze. The blended harmonies of the pinks, whites, and creams of her skin tones, her dress, and her shining wisps of fine hair evoke not just Juliana, but the essence of all little girls of this age.
National Gallery of Art, Washington, D.C.
Painted in October 1909, the remarkably expressive and dynamic Both Members of This Club is the third and largest of George Bellows’s early prizefighting subjects. The painting’s title is a reference to the practice in private athletic clubs of introducing the contestants to the audience as “both members� to circumvent the Lewis Law of 1900 that had banned public boxing matches in New York State.
National Gallery of Art, Washington, D.C.
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
One of the group of urban realist painters known as the Eight and a highly influential teacher, Robert Henri devoted himself to portraiture beginning in 1902. Rather than work on commission, he chose to depict people of many ages and nationalities, seeking subjects in the United States and abroad.
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
To create this landscape, Albert Bierstadt drew on his experiences seeing the Rocky and Sierra Nevada mountains while traveling through the West in the 1860s. The snow-capped peak, clear mountain lake, and towering pines appear in many of the artist’s Western landscapes.
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington
This bold composition reveals the influence of the flat, patterned surfaces, simplified color, and unusual angles of Japanese prints, which enjoyed a huge vogue in Paris in the late 1800s. The dark figure of the man compresses the picture onto the flat plane of the canvas, and the horizon is pushed to the top, collapsing a sense of distance.
National Gallery of Art, Washington, D.C.
Theodore Barnes], Washington, D.C.; by inheritance to her daughter, Mrs.
Discover works by Jasper Francis Cropsey and learn about the artist
and Maps Closed today Admission is always free 6th and Constitution Ave NW Washington