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Cope – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446655?exhibitionId=%7B2c88337c-50e3-4176-bf5f-f169cc4ee79c%7D&oid=446655&pkgids=501&pg=1&rpp=4&pos=3&ft=*&locale=en

CopeA splendid convergence of cultures can be seen in this cope, a semicircular cape and hood worn in processions during Christian liturgical services. The form itself is thus Christian, as is the Eastern Orthodox subject matter of the embroidered orphrey, or ornamental border, that embellishes each of the straight sides, which would have met at the front of the wearer
Also, in the Textile Museum in Washington, D.C., there is a cope without orphrey

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Cope – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446655

CopeA splendid convergence of cultures can be seen in this cope, a semicircular cape and hood worn in processions during Christian liturgical services. The form itself is thus Christian, as is the Eastern Orthodox subject matter of the embroidered orphrey, or ornamental border, that embellishes each of the straight sides, which would have met at the front of the wearer
Also, in the Textile Museum in Washington, D.C., there is a cope without orphrey

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  • International
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Attributed to Botticelli – Madonna and Child with Two Angels – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435730

reportedly the parish church, Castelfranco di Sopra, near Florence (until late 18th century); the Baglioni family, villa Baglioni, Cerreto (late 18th century–about 1903); [Stefano Bardini, Florence, until 1903; probably sold for 115,000 lire through A
Washington, 2003, pp. 148–51 nn. 16, 21, fig. 2, discusses it in conjunction with

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