Dein Suchergebnis zum Thema: Washington

Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
Washington. National Gallery of Art.

How did a decade of unprecedented financial strife, radical social upheaval, and technological innovation shape art and cultural identity in the United States?
National Gallery of Art, Washington, D.C., Corcoran Collection, Gift of Amelia E.

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Ardinghelli (also identified as Monsignor della Casa; National Gallery of Art, Washington

This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Ardinghelli (also identified as Monsignor della Casa; National Gallery of Art, Washington

Old Testament prohibitions against worshipping graven images (Exodus 20:4) provided one of the most important precedents for Byzantine Iconoclasm.
Washington, D.C.: National Gallery of Art, 1990. Pentcheva, Bissera V.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The Robert Lehman Collection Gloria De Liberali Ph.D., Art History, University of Washington

Easily portable, and certainly necessary, bedcovers might be some of the few decorative objects a woman had in her home.
pattern First Reform Churches of Fishkill and Hopewell ca. 1855–60 George Washington

Washington, D. C. Smithsonian American Art Museum and Renwick Gallery.

Washington DC, 1973, cat. no. 73, ill. Colta Ives, Janet S.

baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
Mellon, Washington, D.C., 1923–24; sold for $180,000 to Bache]; Jules S.