Despite his unconventional training, Watteau was permitted to compete for the Prix de Rome at the Royal Academy of Painting and Sculpture.
Washington, D.C.: The National Gallery of Art, 1984. Posner, Donald.
Newly installed, these sculptures celebrate the role of Maya artists in the creation of iconographies of power.
Washington, Dumbarton Oaks, 2010.
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Ardinghelli (also identified as Monsignor della Casa; National Gallery of Art, Washington
Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
Washington. National Gallery of Art.
In Bloemaert’s version of the Old Testament subject (Exod. 17:1–6), the children of Israel march out of Egypt either naked or provocatively dressed, and weighed down with earthenware pots, copper-lined cookware, and, in the arms of the young woman at center, a silver-gilt ewer dating from the late sixteenth century
Washington, 2015, p. 6, fig. 7 (color). Arthur K.
Chicago, 1904—Santa Barbara, 1981, and Chicago, 1905—Santa Barbara, 1987
Washington, D.C.: National Gallery of Art, 1967. Feigen, Richard.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Harry Cooper Bunny Mellon Curator of Modern Art at the National Gallery of Art in Washington
Washington, DC. Freer Gallery of Art and Arthur M.
An aristocratic, alcoholic dwarf known for his louche lifestyle, Henri de Toulouse-Lautrec created art that was inseparable from his legendary life.
Washington, D.C.: National Gallery of Art in association with Princeton University
Washington, D.C.: National Art Gallery, 1985. p. 113.
