Dein Suchergebnis zum Thema: Washington

This diptych, or pair of folding panels, is formed of two slabs of ivory connected with metal hinges, allowing them to fold together to protect the carvings on the interior. It was once possible to lock the panels by means of a now missing sliding hook that locked into the iron mount on the top of the right panel
Washington DC.: Dumbarton Oaks Press, 1985.

Signature: [On recto, annotated in pen and light brown ink at lower left:] di Michel Angelo bona RotiInscription: On verso, annotated in pen and brown ink at upper right: 58 Annotated by early 16th century hand at lower center, following the same numbering system of the Michelangelo drawings in the Buonarroti family: nº
Washington. National Gallery of Art.

Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
Los Angeles: Los Angeles County Museum of Art; Washington, D.C.: Arthur M.

The subject of the painting has for a long time been at issue. If the present identification is correct, then Greuze depicted Aegina, daughter of the river god Asopus, when she was visited by Jupiter in the guise of fire
Washington, 2017, p. 298. Joseph J.

Washington, D. C., 1989, p. 23, fig. 28, dates it 1944–45. Edward M. Gomez.

Sully’s Victoria is completely off guard, having turned as if to respond to a caller, although protocol prohibited anyone from speaking to the queen without having been spoken to.
portraits but little profit, since his tour to Montreal, Quebec City, New Orleans, and Washington

Washington, D.C.: National Art Gallery, 1985. p. 113.

Washington, D. C.: Dumbarton Oaks Research Library and Collection, 1965. p. 16.

Despite his efforts, Manet’s modern scenes remained a target of criticism.
Incident at a Bullfight (fragments of which are now at the National Gallery of Art, Washington

Washington, D. C.: Dumbarton Oaks Research Library and Collection, 1965. p. 47.