Bamana numu (blacksmith) – Gwandansu – Bamana – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312336
Washington, DC: Smithsonian Institution Press, 1986, no. 25, p. 23.
Washington, DC: Smithsonian Institution Press, 1986, no. 25, p. 23.
Despite his unconventional training, Watteau was permitted to compete for the Prix de Rome at the Royal Academy of Painting and Sculpture.
Washington, D.C.: The National Gallery of Art, 1984. Posner, Donald.
Newly installed, these sculptures celebrate the role of Maya artists in the creation of iconographies of power.
Washington, Dumbarton Oaks, 2010.
Washington, 1946, pp. 119, 163, pl. 132 (detail), attributes it to Bernardino Zaganelli
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Before joining The Met in 2019, she was associate conservator at the George Washington
Washington, 1946, pp. 101, 166, pl. 131 (detail). Josephine L.
Washington, DC. Freer Gallery of Art and Arthur M.
Steve Berger, Arte Textil, San Francisco, c. 1983-early 2000s; private collection, Santa Fe, New Mexico, early 2000s–2010; [Steve Berger, Arte Textil, San Francisco]; private collection, New York, 2010–18
Washington, DC: Dumbarton Oaks Research Library and Collection, 1996.
Washington, D.C.: National Gallery of Art, 1999. p. 157. Karrenbrock, Reinhard.
This diptych, or pair of folding panels, is formed of two slabs of ivory connected with metal hinges, allowing them to fold together to protect the carvings on the interior. It was once possible to lock the panels by means of a now missing sliding hook that locked into the iron mount on the top of the right panel
Washington DC.: Dumbarton Oaks Press, 1985.