Bamana numu (blacksmith) – Gwandansu – Bamana – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/312336
Washington, DC: Smithsonian Institution Press, 1986, no. 25, p. 23.
Washington, DC: Smithsonian Institution Press, 1986, no. 25, p. 23.
Despite his unconventional training, Watteau was permitted to compete for the Prix de Rome at the Royal Academy of Painting and Sculpture.
Washington, D.C.: The National Gallery of Art, 1984. Posner, Donald.
Newly installed, these sculptures celebrate the role of Maya artists in the creation of iconographies of power.
Washington, Dumbarton Oaks, 2010.
Washington, 1946, pp. 119, 163, pl. 132 (detail), attributes it to Bernardino Zaganelli
This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Ardinghelli (also identified as Monsignor della Casa; National Gallery of Art, Washington
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Before joining The Met in 2019, she was associate conservator at the George Washington
Washington, 1946, pp. 101, 166, pl. 131 (detail). Josephine L.
Washington, DC. Freer Gallery of Art and Arthur M.
Steve Berger, Arte Textil, San Francisco, c. 1983-early 2000s; private collection, Santa Fe, New Mexico, early 2000s–2010; [Steve Berger, Arte Textil, San Francisco]; private collection, New York, 2010–18
Washington, DC: Dumbarton Oaks Research Library and Collection, 1996.
Washington, D.C.: National Gallery of Art, 1999. p. 157. Karrenbrock, Reinhard.