Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
Washington. National Gallery of Art.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
KlausBerlin, 1912–Mount Kisco, N.Y. , 2008 Phillips, DuncanPittsburgh, Pa., 1886−Washington
Inscription: Stickers: [1] Description cut from catalogue of „Marquess of Exeter Sale, 1888“ (ink), „286“ (pencil); 286 C (pencil); [2] I.B.; [3] 1067 (pencil)Marking: Stamped on lid, on shoulder band, and twice on plain band above base: three trefoils voided within a shaped shield (maker’s mark)
Washington D.C. Freer Gallery of Art and Arthur M.
Thomas Cole inspired the generation of American landscape painters that came to be known as the Hudson River School.
Washington, D.C.: Corcoran Gallery of Art, 1986. Parry, Ellwood C. III.
Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture.
Washington, D.C.: The National Gallery of Art, 1983. Homer, William Innes.
Ignoring or registering only gently harsh new realities such as the problems of immigration and urban poverty, they shone a positive light on their era.
Washington, D.C.: National Museum of American Art, 1995.
New York, 1873−New York, 1922
only eight of the panels, including Nude Woman (1910; National Gallery of Art, Washington
Lady Herringham, England(until d. 1929); bequeathed to Bedford College for Women, London University, London (1929–1982); [ Terence McInerney, New York; from 1982]; Howard Hodgkin, London (by 1985–d
Sackler Gallery, Smithsonian Institution, Washington, D.C., 15 Sept. 1991–12 Jan
Cross, the Church, and the Butterfly Skunder Boghossian (Addis Ababa 1937–2003 Washington
From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
Washington, D.C.: National Art Gallery, 1985. pp. 100–101.
