The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
KlausBerlin, 1912–Mount Kisco, N.Y. , 2008 Phillips, DuncanPittsburgh, Pa., 1886−Washington
Cross, the Church, and the Butterfly Skunder Boghossian (Addis Ababa 1937–2003 Washington
From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
Washington, D.C.: National Art Gallery, 1985. pp. 100–101.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Washington Charles Wilbert White 1943 John Brown John Steuart Curry Associated
The vocabulary of ancient Egyptian art would be interpreted and adapted in different ways depending on the standards and motivations of the time.
buildings such as Benjamin Henry Latrobe’s original Library of Congress (1808) and the Washington
The Greek temple with its mathematically proportioned columns and pediments became reborn as mansion, church, bank, museum, or other commercial institution.
ca. 1780 George Washington Giuseppe Ceracchi 1795 Lyre Guitar Joseph Pons ca
[Royal courts] were important loci for the continuation of indigenous artistic traditions as well as conduits for European influences in both art and architecture.
Washington, D.C.: Freer Gallery of Art, 2000.
Philadelphia, 1880−Chestnut Hill, Pa., 1940
as Alfred Stieglitz’s 291, Macbeth, Montross, Berlin Photographic Company, and Washington
Werl, Germany, 1887—Münster, 1968
, Riehen), and Picasso’s The Death of Harlequin (1905; National Gallery of Art, Washington
Paolo Veronese’s paintings are grandiose and magnificent visions of the spectacle of sixteenth-century Venetian life. His art is inextricably linked to the idea of opulence and splendor in Renaissance Venice.
Washington, D.C.: National Gallery of Art, 1988.
