Dein Suchergebnis zum Thema: Washington

Washington, DC: Smithsonian Institution Press, 1986, no. 34, p. 28. Ezra, Kate.

Inscription: Signed and inscribed in Cameron’s hand in ink on mount, below image BL to BR: „From life Taken at his own residence, Collingwood, April 1867. Julia Margaret Cameron“; signed in Herschel’s hand in pencil on mount, recto BC: „J
National Gallery of Art, Washington D.C.

the artist, Gee’s Bend, Ala.; Essie Young, Gee’s Bend, Ala. (until 2000; in 2000 to Arnett); William S. Arnett, Atlanta (2000–2002; his gift in 2002 to Tinwood Alliance); Tinwood Alliance, Atlanta (2002–10; transfer in 2010 to Souls Grown Deep); Souls Grown Deep Foundation, Atlanta (2010–14; their gift to MMA)
Washington, D.C. Corcoran Gallery of Art.

Inscription: (obverse legend): + CONSTANTIVS / . IN XPO [should be CHRISTO] . DEO . FIDELIS . IMPERAT / OR . ET . MODERATOR / ROMANORVM . ET. SEMPER . AVGVSTVS (Constantine, faithful in Christ [and] in God, emperor and master of the Romans and forever Augustus)(obverse exergue): z34 (234) (reverse legend): : + MIHI : ABSIT : GLORIARI :
Alain Moatti, Paris (until 1988) National Gallery of Art, Washington D.C.

National Gallery of Art, Washington D.C.

National Gallery of Art, Washington D.C.

Thomas Cole inspired the generation of American landscape painters that came to be known as the Hudson River School.
Washington, D.C.: Corcoran Gallery of Art, 1986. Parry, Ellwood C. III.

Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture.
Washington, D.C.: The National Gallery of Art, 1983. Homer, William Innes.

New York, 1873−New York, 1922
only eight of the panels, including Nude Woman (1910; National Gallery of Art, Washington

Ignoring or registering only gently harsh new realities such as the problems of immigration and urban poverty, they shone a positive light on their era.
Washington, D.C.: National Museum of American Art, 1995.