Joseph Corneille (José) Van den Boogaerde, Brussels, by 1950; [Charles Ratton, Paris, 1950–58]; Nelson A. Rockefeller, New York, on loan to the Museum of Primitive Art, New York, 1958–69; The Museum of Primitive Art, New York, 1969–78
National Gallery of Art, Washington D.C.
Werl, Germany, 1887—Münster, 1968
, Riehen), and Picasso’s The Death of Harlequin (1905; National Gallery of Art, Washington
Paolo Veronese’s paintings are grandiose and magnificent visions of the spectacle of sixteenth-century Venetian life. His art is inextricably linked to the idea of opulence and splendor in Renaissance Venice.
Washington, D.C.: National Gallery of Art, 1988.
Gérôme specialized in a brand of photographic realism which, from the 1840s onward, distinguished him from the increasingly stale Neoclassical style promulgated by the followers of Jean Auguste Dominique Ingres
Washington. National Gallery of Art.
Vincent van Gogh brought his work in Provence to a close with exuberant bouquets of spring flowers—two of irises and two of roses. This exhibition will reunite this group of paintings for the first time since the artist’s death and is timed to coincide with the blooming of the flowers that captured his attention.
Gogh Museum, Amsterdam, and the horizontal Roses from the National Gallery of Art, Washington
Washington, 1978, p. 176. Ronald Christ.
With the conquest of the Mamluk empire in 1517, the Ottomans ruled over the most powerful state in the Islamic world.
Washington, D.C.: Smithsonian Institution Press, 1980. Goodwin, Godfrey.
Introduction to Dancing: or, the Movements in the Minuet full explained. 1738 General Washington
Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these
