Edgar Degas – Dancers Practicing at the Barre – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436139
Exh. cat., National Gallery of Art, Washington.
Exh. cat., National Gallery of Art, Washington.
Washington, D.C.: National Art Gallery, 1991. p. 129. Howard, Kathleen, ed.
Paris and New York, 1880–1978
& Cie papers are held at the Archives of American Art, Smithsonian Institution, Washington
St. Petersburg, 1872–Paris, 1950
Table, private collection; and Woman in a Striped Dress, National Gallery of Art, Washington
Inscription: Signed and dated on print, verso, bottom center: „A Kertész // March 28 – 1938“; inscribed on print, verso, top center : „Station. // 1937“; stamped in ink on print, verso, center: „PHOTO COPYRIGHT BY // ANDRE KERTESZ // 307 E
National Gallery of Art, Washington D.C.
Signature: Signed at lower left: C Develly 1836Inscription: Below scene: Culture et Recolte du CacaoMarking: Printed in blue on bottom: [1] crowned LP, SEVRES 1836 (factory mark 1834–45); incised under glaze: [2] script Le (mark of J
Washington D.C. Hillwood Estate, Museum & Gardens.
Plan your route to the Museum.
By Car Take Henry Hudson Parkway northbound to the first exit after George Washington
Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
Washington. National Gallery of Art. "J. M. W.
Washington, 1978, p. 176. Ronald Christ.