… although Americans had begun to identify themselves as a nation, they were divided by sectional interests that deepened with rapid industrialization and the question of slavery.
The political calm that had characterized the first term of President George Washington
Signature: On top of base: DegasInscription: On the underside of base: 2, four dots belowMarking: On top of base: CIRE/ PERDUE/ A A HEBRARD/ 2/A (founder’s mark and serial letter)
Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these
Ridgely (Margarita Cress) Hunt, Pelham, Highland Falls, N.Y., and Washington, D.C
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Before joining The Met in 2016, Casey worked as an assistant curator at a Washington
Folios from an Album of CalligraphyMounted within colorful ebru (marbled) papers and surrounded by parti-colored inner borders, these two pages of graceful calligraphy form part of a leather-bound album composed of six folios
Sackler Gallery, Smithsonian Institution, Washington, D.C.; Detroit Institute of
Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
Washington. National Gallery of Art. "J. M. W.
Washington, 1978, p. 176. Ronald Christ.
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
.]; André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman
Braunschweig, Germany, 1889−Los Angeles, 1945
Papers are held in the Archives of American Art at the Smithsonian Institution, Washington
Extolling the ideal pleasures of arcadian life is the point of the pastoral, which is above all an escape from reality.
Washington, D.C.: National Gallery of Art, 1996. Blunt, Anthony.
