The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
, she worked as a Project Manager at a digital fundraising and strategy firm in Washington
Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Washington, D.C.: National Gallery of Art, Washington D.C., 1989. pp. 14–15, ill
Inscription: Inscribed in metalpoint, at upper right: „Ung Roumain/ legat de n [?]/ . . . St pere/ en France“; in pen and brown ink on verso, „37/ BAC no.31“; in graphite: „P.HL./ Prosper Henry Lankrinck/ Page to King Charles I
National Gallery of Art, Washington D.C.
the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
; attributes the Preaching of Saint Thomas (now in the National Gallery of Art, Washington
Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Washington. National Gallery of Art.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The Washington Post Grand yet thematically intent… The New Yorker Packed with
Fleischman, Washington, D.C. and Miami (2003–20; promised and partial gift to MMA
Vincent van Gogh brought his work in Provence to a close with exuberant bouquets of spring flowers—two of irises and two of roses. This exhibition will reunite this group of paintings for the first time since the artist’s death and is timed to coincide with the blooming of the flowers that captured his attention.
Gogh Museum, Amsterdam, and the horizontal Roses from the National Gallery of Art, Washington
Gérôme specialized in a brand of photographic realism which, from the 1840s onward, distinguished him from the increasingly stale Neoclassical style promulgated by the followers of Jean Auguste Dominique Ingres
Washington. National Gallery of Art.
