Dein Suchergebnis zum Thema: Washington

Washington, D.C.: National Publishing Co., 1953. pp. 7, 17–18, fig.

… although Americans had begun to identify themselves as a nation, they were divided by sectional interests that deepened with rapid industrialization and the question of slavery.
The political calm that had characterized the first term of President George Washington

Signature: On top of base: DegasInscription: On the underside of base: 2, four dots belowMarking: On top of base: CIRE/ PERDUE/ A A HEBRARD/ 2/A (founder’s mark and serial letter)
Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these

Ridgely (Margarita Cress) Hunt, Pelham, Highland Falls, N.Y., and Washington, D.C

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
, she worked as a Project Manager at a digital fundraising and strategy firm in Washington

Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Washington, D.C.: National Gallery of Art, Washington D.C., 1989. pp. 14–15, ill

Inscription: Inscribed in metalpoint, at upper right: „Ung Roumain/ legat de n [?]/ . . . St pere/ en France“; in pen and brown ink on verso, „37/ BAC no.31“; in graphite: „P.HL./ Prosper Henry Lankrinck/ Page to King Charles I
National Gallery of Art, Washington D.C.

the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
; attributes the Preaching of Saint Thomas (now in the National Gallery of Art, Washington

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Washington. National Gallery of Art.

Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
.]; André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman