Carpet – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468454
Washington, D.C.: National Publishing Co., 1953. pp. 7, 17–18, fig.
Dein Suchergebnis zum Thema: Washington
Maxime Du Camp – Vue du pronaos du Temple de Dandour (Tropique du Cancer) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/287195
Inscription: Inscribed in pencil on mount, recto TRC: „93“; inscribed in ink on mount, recto BL: Nubie.“; inscribed in ink on mount, recto BC: „Vue du pronaos du Temple de Dandour. (Tropique du Cancer)“; inscribed in ink on mount, recto BR: „No
.]; André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman
Galka Scheyer – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/scheyer
Braunschweig, Germany, 1889−Los Angeles, 1945
Papers are held in the Archives of American Art at the Smithsonian Institution, Washington
Pastoral Charms in the French Renaissance – The Metropolitan Museum of Art https://www.metmuseum.org/essays/pastoral-charms-in-the-french-renaissance
Extolling the ideal pleasures of arcadian life is the point of the pastoral, which is above all an escape from reality.
Washington, D.C.: National Gallery of Art, 1996. Blunt, Anthony.
Team – The Metropolitan Museum of Art https://www.metmuseum.org/departments/drawings-and-prints/team
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Before joining The Met in 2016, Casey worked as an assistant curator at a Washington
Shaikh Hamdullah ibn Mustafa Dede – Album of Calligraphies Including Poetry and Prophetic Traditions (Hadith) – The Metropolitan Museum of Art https://www.metmuseum.org/collection/the-collection-online/search/453166
Folios from an Album of CalligraphyMounted within colorful ebru (marbled) papers and surrounded by parti-colored inner borders, these two pages of graceful calligraphy form part of a leather-bound album composed of six folios
Sackler Gallery, Smithsonian Institution, Washington, D.C.; Detroit Institute of
Adélaïde Labille-Guiard – Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436840
Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
Washington. National Gallery of Art.
Post-Revolutionary America: 1800–1840 – The Metropolitan Museum of Art https://www.metmuseum.org/essays/post-revolutionary-america-1800-1840
… although Americans had begun to identify themselves as a nation, they were divided by sectional interests that deepened with rapid industrialization and the question of slavery.
The political calm that had characterized the first term of President George Washington
Edgar Degas РFirst Arabesque Pench̩e РFrench РThe Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/196467
Signature: On top of base: DegasInscription: On the underside of base: 2, four dots belowMarking: On top of base: CIRE/ PERDUE/ A A HEBRARD/ 2/A (founder’s mark and serial letter)
Except for the wax Little Fourteen-Year-Old Dancer (Washington: NGA) none of these
Copy after Neroccio de‘ Landi – Saint Michael – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437196
Ridgely (Margarita Cress) Hunt, Pelham, Highland Falls, N.Y., and Washington, D.C