Kraków, Poland, 1872−New York, 1965
she acquired Constantin Brancusi’s Bird in Space (1927; National Gallery of Art, Washington
Signature: Signed and dated (lower right): D.C.F./1930Inscription: Inscribed: (on shield) LOYALTY / WISDOM / FRIENDSHIP / DILIGENCE; (on field, lower half) BASHFORD DEAN / 1867–1928 / HONORARY CURATOR OF ARMS AND ARMOR 1906 / CURATOR OF ARMS AND ARMOR 1912 / TRUSTEE 1927 / THE REAL FOUNDER OF / THE MUSEUM’S COLLECTION / WHICH BY HIS KNOWLEDGE AND DEVOTION / HE MADE / ONE OF THE MOST IMPORTANT / OF THE WORLDMarking: Foundry mark (lower right, under signature): KUNST F’DRY N
leading sculptors and the creator of such famous monuments as the Lincoln Memorial in Washington
2017; [ Howard Hodgkin Indian Collection Trust , London, 2017–22; sold to MMA] Washington
Raphael: Sublime Poetry, will be the first comprehensive, international loan exhibition in the United States on Raphael
Fondazione Brescia Musei (Brescia), National Gallery (London), National Gallery of Art (Washington
Objects Conservation staff collaborate with cultural heritage professionals worldwide on conservation and historic preservation projects.
Sackler Gallery) (Washington D.C.) and the Royal Institute for Cultural Heritage
Washington, DC. Arthur M. Sackler Gallery, Smithsonian Institution.
These pictures could be made in great quantity and featured popular scenes that appealed in particular to the wealthy townspeople of the period.
Washington: D.C.: National Gallery of Art, 1998. Thompson, Sarah E., and H. D.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Dean, Center for Advanced Studies in the Visual Arts, National Gallery of Art, Washington
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905) ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102.
The end of the drill has punctuated the stone’s white zone, opening a semblance of space at Michael’s elbow and between his legs. The engraver also manipulated the white stratum so as to frame the image in an oval band
Washington, DC. Hillwood Estate, Museum & Gardens.
