Dein Suchergebnis zum Thema: Washington

discusses it with two other still lifes from the same period (National Gallery of Art, Washington

Exh. cat., National Gallery of Art, Washington D.C.

Benedetta Cappa Marinetti, Rome (1950–56; sold in November 1956 to Winston); Lydia and Harry Lewis Winston, Birmingham, Mich. (1956–his d. 1966); Lydia Winston Malbin, Detroit and New York (1966–d
Washington, D.C. National Gallery of Art.

Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2021.

Inscription: (as in order on object): Exaseru[n]t . senes . / . los suos ut . no[n] . vide / susAnna . et . / . in co[n]cupiscentia[m] / declinaveru[n]t ocu / re[n]t c[a]elu[m] . dAniel 13 [should be Exaserunt senes in concupiscentiam Susanna et declinaverunt oculos suos ut non viderent caelum, Daniel 13] (the old men were inflamed in desire by Susanna and turned away their eyes so that they might not see heaven [Daniel 13:8-9])
Washington, D.C.: National Art Gallery, 1991. pp. 156–57.

Utica, N.Y., 1862–Florence, 1928
acquired by the Victoria and Albert Museum in London and the Phillips Collection in Washington

from the artist; Galerie Robert Schmit, Paris (founded 1964); private collection, Washington

Eltville am Rhein, Germany, 1873–Bad Honnef, Germany, 1955
He purchased Pablo Picasso’s The Tragedy (1903; National Gallery of Art, Washington

Milan, 1885–Milan 1969
Museum of Modern Art, New York, and Nude Woman (1910; National Gallery of Art, Washington

Kraków, Poland, 1872−New York, 1965
she acquired Constantin Brancusi’s Bird in Space (1927; National Gallery of Art, Washington