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Herbert Bourne July 1868 Bride and Bridegroom Sebald Beham 1500–1550 General Washington
Washington, D.C. Fendrick Gallery.
Inscription: At upper right, inscribed „nota quod color pullus non est / peculiaris Sinensium litteratis sed / Patribus S Iesù exceptis tamen fascijs / ceruleis quae [„omnibus“ deleted] ceteris [que] communes sunt / Sinenses porro vestis colore non uno / sed quovis promiscue utantur
National Gallery of Art, Washington D.C., Washington, D.C., 1986.
Bellevue Art Museum, Bellevue, Washington, January 30-July 30, 1983. “La Condición
Ulm, 1874–New York, 1954
Museum, Otterlo) and The Lighthouse at Honfleur (1886; National Gallery of Art, Washington
Gardens played many roles in French society—and thus found increasing representations in art—as places for relaxation, for music and dance, for poetry and learning, for horticulture, as symbolic spaces for myth and allegory, and finally as decorative motifs.
Washington, D.C.: National Gallery of Art, 1996. Blunt, Anthony.
As the largest city in western Asia or Europe, Istanbul was the natural center of this commerce.
Washington, D.C.: Smithsonian Institution Press, 1995.
For me the photograph speaks to optical illusion, to ambiguity, to the blurring of immediate impressions and assumptions.
He teaches at Washington University in Saint Louis.
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102. Hayward, Jane.
From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102. Hayward, Jane.
