Dein Suchergebnis zum Thema: Washington

In 1856, a seventeen-year-old named Adeline Harris (1839-1931) conceived of a unique project: to collect the autographs of the well-known people she most esteemed. This, in itself, was not unusual; the practice of collecting autographs of famous people was very popular in the middle decades of the nineteenth century
According to the family account and her obituary, her father brought the family to Washington

Bellevue Art Museum, Bellevue, Washington, January 30-July 30, 1983. “La Condición

Ulm, 1874–New York, 1954
Museum, Otterlo) and The Lighthouse at Honfleur (1886; National Gallery of Art, Washington

Gardens played many roles in French society—and thus found increasing representations in art—as places for relaxation, for music and dance, for poetry and learning, for horticulture, as symbolic spaces for myth and allegory, and finally as decorative motifs.
Washington, D.C.: National Gallery of Art, 1996. Blunt, Anthony.

As the largest city in western Asia or Europe, Istanbul was the natural center of this commerce.
Washington, D.C.: Smithsonian Institution Press, 1995.

For me the photograph speaks to optical illusion, to ambiguity, to the blurring of immediate impressions and assumptions.
He teaches at Washington University in Saint Louis.

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102. Hayward, Jane.

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102. Hayward, Jane.

From the chapel of Château-de-Bouvreuil, Rouen (destroyed late 16th century; glass installed in the chapel of a building constructed on the same site (late 17th century–early 19th century); [ Art market, rue Saint-Remain, Rouen (sold 1905)] ; Albert Gorge, Rouen (1905–sold shortly after 1910) ; [ Bacri Frères, Paris (acquired shortly after 1910–sold before 1935)] ; [ Michel Acézat Paris, 1878–1944 (acquired before 1935–until 1944)] ; his posthumous sale, Hôtel Drouot, Paris (November 24-25, 1969, no
Washington, D.C.: National Art Gallery, 1985. p. 102. Hayward, Jane.

Washington, DC: Smithsonian Institution Press, 1989, p. 516, no. 1356.