JugMade from transparent yellowish colorless glass, this jug has a rounded body narrowed at the base of the neck and a flared opening. It stands on a low foot ring with a pontil mark at the base, and a handle with a thumb rest is attached at the rim and body
the present object with a tenth-century gold ewer in the Freer Gallery of Art, Washington
Dona Beatriz claimed to be possessed by the spirit of Saint Anthony, who addressed the kingdom’s problems through her.
Washington, D.C.: National Gallery of Art, 1981. Thornton, John Kelly.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
introduction by John Walker, Director Emeritus of the National Gallery of Art in Washington
Through an outstanding group of portraits, this major loan exhibition will introduce visitors to the various new and complex ways artists portrayed the elite of Medicean Florence, representing the sitters‘ political and cultural ambitions and conveying the changing sense of what it meant to be a Florentine at this defining moment in the city’s history.
—The New York Times “An absorbing new exhibition” —Washington Post “A spectacular
Scarborough, England, 1897–Weston Hall, Northamptonshire, England, 1988
Additional correspondence can be found at the Washington State University Libraries
Washington, DC: Smithsonian Institution Press, 1987. Ezra, Kate.
Hugh Andrew Johnstone Munro, of Novar (British, Scottish), not in list compiled at his death, 1865; John Ruskin (British)(in 1878 to ?); William Ward, 1st Earl of Dudley (British); William Humble Ward, 2nd Earl of Dudley (British); T
Washington. National Gallery of Art. "J. M. W.
This major exhibition will offer an immersive and thought-provoking journey through the history of one of America’s preeminent cultural institutions.
Young 20th- and 21st-century viewers gaze at Washington Crossing the Delaware, 1851
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Nearly half of Vermeer’s surviving oeuvre was seen at the National Gallery of Art, Washington
Washington, D.C.: National Art Gallery, 1991. p. 142.
