In Japan’s self-imposed isolation, traditions of the past were revived and refined, and ultimately parodied and transformed in the flourishing urban societies of Kyoto and Edo.
Washington: D.C.: National Gallery of Art, 1998.
Dresden, 1879–Los Angeles, 1953, and Pittsburgh, 1878–Los Angeles, 1954
Arensberg papers, 1912–1982, see: Archives of American Art, Smithsonian Institution, Washington
Active Paris, 1846–1933
1915 to 1925 are held in the Archives of American Art, Smithsonian Institution, in Washington
Washington, DC. Freer Gallery of Art and Arthur M.
Search art at the Metropolitan Museum.
Herbert Bourne July 1868 Bride and Bridegroom Sebald Beham 1500–1550 General Washington
The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
Washington, 1984, pp. 36–37, 44, 55, 127 n. 6, fig. 1.9, dates it about 1872.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Library & Museum and worked as a paper conservation fellow at the National Gallery in Washington
In 1856, a seventeen-year-old named Adeline Harris (1839-1931) conceived of a unique project: to collect the autographs of the well-known people she most esteemed. This, in itself, was not unusual; the practice of collecting autographs of famous people was very popular in the middle decades of the nineteenth century
According to the family account and her obituary, her father brought the family to Washington
This spectacular album, which contains intimate nature studies, portraits of the royal family and various dignitaries, and fine examples of illuminated folios of calligraphy by renowned calligraphers, offers a glimpse into the courtly life and diverse interests of its patrons.
Washington, D.C.: Freer Gallery of Art, Smithsonian Institution, 1981.
The allure of this substance is easily understood: its smooth, tactile quality and creamy color made it ideal for the creation of luxury goods.
Washington, D.C.: Dumbarton Oaks, 1985. Evans, Helen C., ed.
