Dein Suchergebnis zum Thema: Washington

Join curators Sylvia Yount, Medill Higgins Harvey, Adrienne Spinozzi, Amelia Peck, Alyce Perry Englund, Stephanie L. Herdrich, Thayer Tolles, Patricia Marroquin Norby, and Alice Cooney Frelinghuysen along with Max Hollein, Marina Kellen French Director and CEO as the American Wing celebrates its 100th anniversary with a reinstallation of its extensive collection of art and design.
George Washington (begun 1795). Oil on canvas.

Kahn, and Roger Wolfe Kahn , New York (until 1949; donated to MMA) Washington, DC

From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843–73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873–1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
, New York (1923–1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington

Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
Kress, New York (1936–39); National Gallery of Art, Washington (1939–60); Samuel

Making Meaning: Techné in the Pre-Columbian World, edited by Cathy Lynne Costin, Washington

The Marimion Room was the principal parlor of Marmion, a plantation house built around 1756 by the Fitzhugh family of Virginia. The room’s elaborate painting was executed in the 1770s and is one of the most ambitious decorative schemes to survive from eighteenth-century America.
In 1797, the house was purchased by George Washington Lewis, and his descendants

Reclaiming Ancient Egypt in the Neighborhood’s Transit System
Left: George Washington Carver (American, ca. 1864–1943). Dr.

From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843–1873) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873–1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
, New York (1923–1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington

Washington D.C.: Dumbarton Oaks Research Library and Collection, 2010.

With the decline of Ashikaga power in the 1560s, the feudal barons, or daimyos, began their struggle for control of Japan. The ensuing four decades of constant warfare are known as the Momoyama (Peach Hill) period.
Washington, D.C.: National Gallery of Art, 1988.