From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Rice, New York (1923-1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Rice, New York (1923-1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington
works; it was preceded by The Dance Lesson (ca. 1879, National Gallery of Art, Washington
at lower left): Tiepolo Rizzi 1971, no. 27 i/iii; Gorizia 1985, no. 69; London-Washington
The Way They Live Thomas Anshutz (American, Newport, Kentucky 1851–1912 Fort Washington
Search art at the Metropolitan Museum.
American ca. 1850–60 La Famille du graveur Maurice Delcourt 1898 Design for the Washington
The Marimion Room was the principal parlor of Marmion, a plantation house built around 1756 by the Fitzhugh family of Virginia. The room’s elaborate painting was executed in the 1770s and is one of the most ambitious decorative schemes to survive from eighteenth-century America.
In 1797, the house was purchased by George Washington Lewis, and his descendants
From the Infancy of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843–73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873–1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
, New York (1923–1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington
Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
Kress, New York (1936–39); National Gallery of Art, Washington (1939–60); Samuel
