This landmark exhibition of luxury arts of the Incas, the Aztecs, and their predecessors will trace the emergence and florescence of goldworking in the ancient Americas.
—Washington Post ". . . an unabashed celebration of splendor."
Search art at the Metropolitan Museum.
chasse "Dauphine" Cretien workshop, Paris (c.1690 – post 1737) ca. 1700 George Washington
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Rice, New York (1923-1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Rice, New York (1923-1957) ; Smithsonian American Art Museum and Renwick Gallery, Washington
Bird Pre-Columbian Textile Conference, 1973, Washington D.C., May 19 and May 20,
Inscription: Inscribed on top of the nasal: „There is no God but God“, „Mohammad is the Messenger of God“; below the nasal: „Victory from God“, „By order of Safi ad-Din Ahmad Ibn (al-Hasan?)“; at the base of the nasal: „and close (imminent) conquest“; on the band at the base of bowl: a Koranic inscription; on the peak or visor, pious inscriptions which includes the 99 names of Allah, among them: „the hearing, the wise“; on the right cheek piece, front plate: „God“; on the right cheek piece, bottom most plate: „Oh living“, „Oh everlasting
Washington. National Gallery of Art, Washington D.C.
Rica, Panama and Colombia: A Symposium at Dumbarton Oaks, 9 and 10 October 1999 (Washington
Remembering Richard E. Stone, Conservator Emeritus in the Department of Objects Conservation.
Studies in the History of Art (Washington, D.C.) 62. Symposium Papers 39.
This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington
National Gallery of Art, Washington D.C.
