Edgar Degas – The Dancing Class – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436141
Washington. National Gallery of Art.
Washington. National Gallery of Art.
Newly interpreted galleries span three floors, linking the Wing’s holdings from the 17th to 20th century and highlighting relevant, meaningful stories.
John Trumbull, George Washington and William Lee, 1780 | Now on view in Gallery 755
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Fleer Company Fleer Company 1959 Card Number 66, Harry Gilmer, Quarterback, Washington
Museum of the American Indian, Heye Foundation, New York, from 1927; Wolfgang von Paalen, acquired by 1939; Claude Levi Strauss, New York, acquired by ca. 1945 (?); [Ralph C. Altman, Los Angeles, acquired by 1952]; Nelson A
National Gallery of Art, Washington D.C.
This exhibition highlights female photographers‘ innovative work in studio portraiture, fashion and advertising, artistic experimentation, street photography, ethnography, and photojournalism.
It is organized by the National Gallery of Art, Washington, in association with The
Newly interpreted galleries span three floors, linking the Wing’s holdings from the 17th to 20th century and highlighting relevant, meaningful stories.
John Trumbull, George Washington and William Lee, 1780 | Now on view in Gallery 755
Boilly was born and educated around Lille. He moved to Paris in 1785 and exhibited at the Salon between 1791 and 1824. A painter in the tradition of Dutch seventeenth-century naturalism, for which he prepared by studying trompe l’œil as well as caricature, Boilly was well-known for genre scenes and for small-scale portraits, of which he claimed to have painted 4,500, most in single two-hour sittings
PhD diss., University of Washington, Seattle, 1979, pp. 100–102, 181 n. 203, fig
Alfred Robaut, Paris (until 1899; sold on February 21 for Fr 6,000 to Durand-Ruel); [Durand-Ruel, Paris, 1899; stock no. 5026, as „Italienne“; sold on December 8, 1899 or January 25, 1900 to Durand-Ruel, New York]; [Durand-Ruel, New York, 1899/1900–1903; stock no
Its pose closely follows the portrait of Bindo Altoviti (National Gallery of Art, Washington
National Gallery of Art, Washington D.C.