The Louvre, Afternoon, Rainy Weather by Camille Pissarro https://www.nga.gov/artworks/195850-louvre-afternoon-rainy-weather
20 March 2005, no. 15, repro. 2005 Camille Pissarro, Art Gallery of New South Wales
Dein Suchergebnis zum Thema: Wales
Meintest du waldes?
Young Spanish Woman with a Guitar by Auguste Renoir https://www.nga.gov/artworks/52220-young-spanish-woman-guitar
Gallery, Brisbane; National Gallery of Victoria, Melbourne; Art Gallery of New South Wales
At the Water’s Edge by Paul Cezanne https://www.nga.gov/artworks/53119-waters-edge
Cézanne’s work, especially landscape paintings, increasingly verged on abstraction in the artist’s last two decades. In this study of light and reflection, structures on the bank and on the river are simplified into geometric shapes that contrast with the organic lushness surrounding them.
catalogue, repro. 2010 Paths to Abstraction 1867 to 1917, Art Gallery of New South Wales
The Martyrdom of Saint Bartholomew by Jusepe de Ribera https://www.nga.gov/artworks/72037-martyrdom-saint-bartholomew
A popular subject in Counter–Reformation Italy and Spain, Ribera’s profoundly moving work portrays the apostle’s final moments before he is to be flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh.
repro. 2003 Darkness & Light: Caravaggio & His World, Art Gallery of New South Wales
Tiger by Ellsworth Kelly https://www.nga.gov/artworks/75042-tiger
Ellsworth Kelly realized his first abstractions during his stay in France from 1948 to 1954. In these extremely productive years, he created a body of work whose refinement of line, form, and color remains the fundamental language of his art.
Kate Lowry, chief conservation officer, National Museums and Galleries of Wales.
Still Life with Milk Jug and Fruit by Paul Cezanne https://www.nga.gov/artworks/53123-still-life-milk-jug-and-fruit
Stockholm, 1997-1998, no. 24, repro. 1998 Classic Cézanne, Art Gallery of New South Wales
Look Mickey by Roy Lichtenstein https://www.nga.gov/artworks/71479-look-mickey
Paris, 2012-2013, no. 8, repro. 2014 Pop to Popism, Art Gallery of New South Wales
Mlle Charlotte Berthier by Auguste Renoir https://www.nga.gov/artworks/51136-mlle-charlotte-berthier
Gallery, Brisbane; National Gallery of Victoria, Melbourne; Art Gallery of New South Wales
Basket of Flowers by Balthasar van der Ast https://www.nga.gov/artworks/76208-basket-flowers
An inventory of 1632 confirms the presence of this rare set of pendant paintings by the still-life master Balthasar van der Ast in the collection of Princess Amalia van Solms, wife of Frederik Hendrik, Prince of Orange. The two works complement each other and reinforce the message that one should be grateful for the abundance and beauty of God’s creation.
Nabio Museum of Art, Osaka; Tokyo Station Gallery; Art Gallery of New South Wales
Tugboat on the Seine, Chatou by Maurice de Vlaminck https://www.nga.gov/artworks/106379-tugboat-seine-chatou
Vlaminck is often portrayed as the most unruly painter of the fauve school, an impression that reflects both on his personality (as it is revealed in his biography and writings) and his work. A self-taught artist, Vlaminck insisted that painting should be the unmediated expression of an artist’s temperament, „emotive, tender, ferocious, as natural as life itself.“ [1] Indeed, having been an anarchist sympathizer during the prewar period, he would later link the strident colorism and bold brushwork of his work to social and political dissent, a connection that was actually made by several art critics.
catalogue, repro. 1976 Modern Masters: Manet to Matisse, Art Gallery of New South Wales