Dein Suchergebnis zum Thema: W��hrung

Johan Christian Dahl – Two Men before a Waterfall at Sunset – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/439344

Two men stand at a precipice beside towering spruce trees. They look across a gorge toward a majestic waterfall, having paused together to contemplate this untamed scenery at sunset. The figure on the left, shown wearing a top hat and overcoat, is most likely a self-portrait by Dahl
Lyder Sagen, Copenhagen, June 13, 1812, quoted in Bang 1987, vol. 1, p. 232. [9] W.

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El Greco (Domenikos Theotokopoulos) – Portrait of an Old Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436574

For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
El Greco: Eine Enführung in das Leben und Wirken des Domenico Theotocopuli gennant

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Paul Cézanne – The Card Players – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435868

The Painting: In his mid-fifties and at the height of his career, Paul Cézanne began a series of paintings, drawings, and watercolors of card players. The unprecedented repetition of the theme of card players and the monumental scale at which he chose to work in two of the later canvases demonstrate the significance of the project for him
Cézanne und Hodler: Einführung in die Probleme der Malerei der Gegenwart.

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Georges Seurat – Study for „A Sunday on La Grande Jatte“ – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/437658

The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
Vol. 1, Einführung in die Moderne Kunst. Berlin, 1917, pp. 92–93, pl. 106.

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El Greco (Domenikos Theotokopoulos) – The Vision of Saint John – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436576

This work is a large fragment of one of three altarpieces El Greco was commissioned to paint in 1608 for the church of the Hospital of Saint John the Baptist (also called the Tavera Hospital in honor of its co-founder, Cardinal-Archbishop Juan de Tavera, 1472–1545), just outside the walls of Toledo
W 8 5/8 in. 21.9 cm (T.

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