Dein Suchergebnis zum Thema: Trainer

‘‘Twenty-six drawings, designs for posters, book illustrations, covers and cartoons by the cartoonist Fougasse‘, collection owner: Fougasse, [c.1923–54]‘, collection owner: Fougasse, [c.1923–54] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-7712/twenty-six-drawings-designs-for-posters-book-illustrations-covers-and-cartoons-by-the?page=1

Cyril Kenneth Bird (1887-1965) was born in London and studied engineering at Kings College, London. On active service in the First World War he was wounded at Gallipoli in 1915 and returned to Britain. No longer fit to work as a civil engineer he turned to drawing, in which he had been interested since his school-days, adopting the name „Fougasse“, French for an exploding mine which might go off or not – he thought the same applied to his cartoons. His work first appeared in Punch in 1916 and in 1937 he became Editor of the magazine. He also designed …
officers, one with ‘L’ plate Fougasse [c.1935] View by appointment Drawing of train

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‘‘Papers of and relating to Anne Estelle Rice‘, collection owner: Anne Estelle Rice, 1884–1997‘, collection owner: Anne Estelle Rice, 1884–1997 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-200920/papers-of-and-relating-to-anne-estelle-rice?page=2

Material from this collection available to view online, includes illustrated postcards, sent from Anne Estelle Rice to her young son, David Drey, as well as a cache of beautifully illustrated and colourful costume designs by her for theatre productions, such as Othello, Macbeth and A Twelfth Night dating from the 1930s. These papers provide a valuable insight into the opportunities and challenges faced by a women artist working in the early twentieth century in Paris and then London. Further material from this collection can be searched on the online catalogue, notably early sketchbooks showing her development as a talented draughtswoman, …
Showing 21–40 of 149 objects Postcard illustrated with a sketch of an underground train

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‘‘Sketchbook containing essays and sketches of London‘, James Boswell, 1939‘, James Boswell, 1939 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8224-10/boswell-sketchbook-containing-essays-and-sketches-of-london

Pages 1-3, essay on the method of teaching drawing and on aspects of drawing Page 4, street scene at night with couple kissing in a doorway Page 5, street scene with large covered van and two standing women Page 6, woman in a china shop Page 7, street scene with a figure and a dog Page 8, country road with a lorry Page 9, list of items with prices Page 10, man talking to a woman with two other men in the background Page 11, soldier in uniform Page 12, sketches of a woman wearing a large hat drawn in …
crane by the side of a river Page 45, seated woman reading a book in an underground train

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‘‘Sketchbook containing sketches of street scenes and caricatures‘, James Boswell, 1938–9‘, James Boswell, 1938–9 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8224-8/boswell-sketchbook-containing-sketches-of-street-scenes-and-caricatures

Page 1, two women seated at a table Page 2 top, standing figure wearing hat and coat Page 2 bottom, studies of women and a girl’s head Page 3, standing woman wearing a coat and hat and carrying a handbag and studies of a woman’s head Page 4, street scene with figures and a large clock mounted on a building Page 5, street scene as on Page 4 but in greater detail Page 6, two studies of people waiting on a railway station and a couple walking in a street Page 7, surrealist room and people Page 8, woman holding …
wearing a wing collar Page 22, a design of geometric lines Page 23, seated man in a train

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‘‘Sketchbook containing sketches of Punch and Judy‘, James Boswell, 1939‘, James Boswell, 1939 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-8224-11/boswell-sketchbook-containing-sketches-of-punch-and-judy

Page 1, railway station platform Page 2, top, house in the countryside Page 2, bottom, railway scene Page 3, street corner, inscribed ‚Mornington Crescent‘ Page 4, street scene with ‚The Boar’s Head‘ Page 5, tree coming into blossom Page 6, three studies of reclining women Page 7, standing woman seen from behind Page 8, standing woman undressing Page 9, several small studies for brothel scenes Page 10, young nude woman with her hands behind her back Page 11, head and shoulders of a soldier in uniform Page 12, street corner with a woman standing waiting Page 13, corner of a …
portrait head of a man with a high collar and four caricatures of heads and study of a train

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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 11 August 1934‘, Edward Renouf, recipient: Anny Schey von Koromla, 11 August 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-68/letter-from-edward-renouf-to-anny-schey-von-koromla

Schwaz 11 August 1934 Dear Annerl, Your enchanting letter made me very happy and also gave me an insatiable appetite for more and more of the same. Your letters – as you do yourself – contain something that somehow waters and refreshes the deepest roots of humanity, so that if everything else is going to pieces, you and your letters must always keep one happy and alive. If a scientist were to ask me what I meant by that, I wouldn’t know how to reply if not perhaps with your two favourite lines from Angelus Silesius. Beate’s rather laconic letter …
At this point mama was just arriving in Munich, but she’s coming on the midday train

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