Meintest du tower bridge?
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
of tourists eager to see its imposing castle, its soaring cathedral and mighty bridge
Once the toast of Paris, avant-garde photographer Germaine Krull held a mirror to queer life in interwar France.
turned her lens on the soaring structures of industrial Europe: Rotterdam’s railroad bridge
Eltville am Rhein, Germany, 1873–Bad Honnef, Germany, 1955
his design Götterdämmerung (Twilight of the Gods), which proposed a freestanding tower
Etching offered Whistler the opportunity to sketch ideas quickly, then slowly refine and develop them through multiple states, creating variations with expressive inking.
Millbank James McNeill Whistler 1861 Weary James McNeill Whistler 1863 Chelsea Bridge
Search art at the Metropolitan Museum.
Suite des Vases; and [Cheminées] Ennemond Alexandre Petitot 1771, 1764 The Round Tower
Search art at the Metropolitan Museum.
with the Virgin and Child between Saint Catherine and Saint Dorothy, from north tower
Beerstraten drew and painted numerous views in Amsterdam and in nearby villages. The paintings usually feature one prominent building in a snow-dusted landscape, with ice skaters and other figures on a frozen waterway in the foreground
The church tower of Amstelveen, to the southeast of Sloten, is visible in the left
Holy Roman Emperor Charles IV gilded Prague’s royal towers “so that they might powerfully
According to his chronicler Beneš Krabice of Weitmile, Charles gilded the royal towers
The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
as "Cows in a Meadow: A Cow Being Milked," by Paulus Potter; suggests that the tower
This magnificent painting by the leading painter of King Louis XIV (1638–1715)—the artist who supervised the decoration of the Louvre and Versailles and headed the Gobelins manufactory for tapestries and furniture—is a landmark in the history of French portraiture
by John Samuel Wanley Sawbridge Erle-Drax, who installed the picture in Olantigh Towers
