A Satyr by Benvenuto Cellini https://www.nga.gov/artworks/73890-satyr
Zeichnungen aus der Toskana: Das Zeitalter Michelangelos. Exh. cat.
Zeichnungen aus der Toskana: Das Zeitalter Michelangelos. Exh. cat.
Pietro Lorenzetti of Siena painted me in 1340 . This inscription is the signature of the Sienese painter Pietro Lorenzetti , which survives on a fragment of the original frame (now incorporated in a modern support and located beneath this painting).
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
This painting belongs to a triptych, which also includes Madonna and Child, with Blessing Christ and Saint Catherine of Alexandria .
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
This painting belongs to a triptych, which also includes Madonna and Child, with Blessing Christ and Saint Mary Magdalene, with an Angel . The image represents Saint Catherine of Alexandria, who is identified by her crown and by the wheel of martyrdom she supports with her right hand.
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
Simone Martini depicts Saint Matthew holding a book, quill pen, and inkpot in the process of writing his Gospel. This panel, along with nine others of apostles, including three in the National Gallery of Art’s collection depicting Simon , James Major , and Thaddeus , were once part of the same altarpiece.
Merzenich,“Di dilettanza per un artista – Der Sammler Antonio Giovanni Ramboux in der Toskana
Pietro Lorenzetti of Siena painted me in 1340 . This inscription is the signature of the Sienese painter Pietro Lorenzetti , which survives on a fragment of the original frame (now incorporated in a modern support and located beneath the image of Madonna and Child ).
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
Italienische Gemälde im Städel 1300-1550: Toskana und Umbrien.
, 19; Rudolf Hiller von Gaertringen, Italienische Gemälde im Städel 1300–1550: Toskana