Girl in a Boat with Geese by Berthe Morisot https://www.nga.gov/artworks/52194-girl-boat-geese
The Western Humanities, California, London, Toronto, 1998, no. 19.13, repro.
The Western Humanities, California, London, Toronto, 1998, no. 19.13, repro.
Minneapolis Institute of Arts; San Francisco Museum of Art; The Art Gallery of Toronto
The Virgin and Child are seated in majesty on a gabled throne, whose shape echoes a tabernacle used to hold the reserved portion of the sacrament, the divine mystery of the bread and wine that is at the very heart of the Eucharist. Yet this Virgin and Child are also in joyous and very human interaction with the angels and saints surrounding them.
Paul Getty Museum, Los Angeles; Art Gallery of Ontario, Toronto, 2012-2013, not in
it first appeared in the portrait Isaac Abrahamsz Massa (Art Gallery of Ontario, Toronto
, 2018-2019. 2021 Picasso: Painting the Blue Period, Art Gallery of Ontario, Toronto
Artists are keen observers of the natural world. The landscapes they create capture the progression of seasons, the changing climate, and conservation concerns.Â
acrylic on canvas, Patrons‘ Permanent Fund and Gift of Audrey and David Mirvish, Toronto
Dancers Backstage depicts an informal, behind-the-scenes moment at the ballet—the type of scene that most intrigued Degas. Four figures occupy the painting:
Moderna e Contemporanea di Trento e Rovereto, Rovereto; Art Gallery of Ontario, Toronto
Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
Landscape Painting from Tierra del Fuego to the Arctic, Art Gallery of Ontario, Toronto
Moon was painted during the fall of 1935 and depicts a tree covering the glowing moon. Arthur Dove lived and worked at his family home in Geneva, New York, from 1933 to 1938.
Newark, London, and Toronto, 1984: 57, 232-234, no. 36.8. 1985 Cohn, Sherrye.
Before establishing himself as a pioneering member of the dada movement during and after World War I, Picabia experimented with various forms of modernist painting. Procession, Seville belongs to a group of works from 1912 in which the artist demonstrates a sophisticated and highly idiosyncratic assimilation of recent developments in cubism and futurism.[1] Fragmented planes, shallow space, and an allover pattern of flickering lights and darks are all associated with the analytic cubism of Pablo Picasso and Georges Braque;
Guggenheim Museum, New York; Cincinnati Art Museum; Art Gallery of Ontario, Toronto