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Madonna and Child with Saints and Angels by Bernardo Daddi

https://www.nga.gov/artworks/41676-madonna-and-child-saints-and-angels

The Virgin and Child are seated in majesty on a gabled throne, whose shape echoes a tabernacle used to hold the reserved portion of the sacrament, the divine mystery of the bread and wine that is at the very heart of the Eucharist. Yet this Virgin and Child are also in joyous and very human interaction with the angels and saints surrounding them.
Paul Getty Museum, Los Angeles; Art Gallery of Ontario, Toronto, 2012-2013, not in

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Classic Landscape by Charles Sheeler

https://www.nga.gov/artworks/105596-classic-landscape

Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
Landscape Painting from Tierra del Fuego to the Arctic, Art Gallery of Ontario, Toronto

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The Procession, Seville by Francis Picabia

https://www.nga.gov/artworks/93248-procession-seville

Before establishing himself as a pioneering member of the dada movement during and after World War I, Picabia experimented with various forms of modernist painting. Procession, Seville belongs to a group of works from 1912 in which the artist demonstrates a sophisticated and highly idiosyncratic assimilation of recent developments in cubism and futurism.[1] Fragmented planes, shallow space, and an allover pattern of flickering lights and darks are all associated with the analytic cubism of Pablo Picasso and Georges Braque;
Guggenheim Museum, New York; Cincinnati Art Museum; Art Gallery of Ontario, Toronto

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