Tate glossary definition for sublime: Theory developed by Edmund Burke in the mid eighteenth century, where he defined sublime art as art that refers to a greatness beyond all possibility of calculation, measurement or imitation
terrible or is conversant about terrible objects or operates in a manner analogous to terror
Tate glossary definition for sublime: Theory developed by Edmund Burke in the mid eighteenth century, where he defined sublime art as art that refers to a greatness beyond all possibility of calculation, measurement or imitation
terrible or is conversant about terrible objects or operates in a manner analogous to terror
Artist page for Alberto Giacometti (1901–1966)
self-critically stated: „But wanting to create from memory what I had seen, to my terror
This file consists of 68 photographs of wall murals, posters, and graffiti Northern Ireland, taken by Conrad Atkinson during his work on the exhibition, ‚A Shade of Green An Orange Edge‘ at the Art Council Gallery, Belfast, in May 1975.
with blood dripping onto a skull and crossbones, and the caption, ‘End British Terror
This file consists of 68 photographs of wall murals, posters, and graffiti Northern Ireland, taken by Conrad Atkinson during his work on the exhibition, ‚A Shade of Green An Orange Edge‘ at the Art Council Gallery, Belfast, in May 1975.
with blood dripping onto a skull and crossbones, and the caption, ‘End British Terror
Items chosen from this collection for digitisation include photographs of wall murals, posters, and graffiti Northern Ireland, taken by Conrad Atkinson during the ‚Troubles‘ in the early 1970s, as well as source material and original sketches by the artist for the exhibition catalogue for ‚A Shade of Green, An Orange Edge‘, at the Art Council Gallery, Belfast, 1975. Also chosen are writings and organisational documentation relating to the formation and activities of the Artists‘ Union. Details of the remainder of the collection can be found on the Archive catalogue.
with blood dripping onto a skull and crossbones, and the caption, ‘End British Terror
Paul Nash was preoccupied with his own mortality from childhood. But being posted as official artist to both world wars inspired him to some of his greatest work, now exhibited at Tate Liverpool. By Simon Grant
Everyone was searching the sky expecting some terror to fall.’
Artist page for C. K. Rajan (born 1960)
Rajan 1991–6 Mild Terrors II C. K.
‘The House of Death‘, William Blake, 1795–c.1805
John Flaxman 1807 The Descent of Beatrice After John Flaxman 1807 The Terrors
‘Frontispiece to ‘Visions of the Daughters of Albion’‘, William Blake, c.1795
After John Flaxman 1807 The Lunar Sphere After John Flaxman 1807 The Terrors
