Dein Suchergebnis zum Thema: Stuttgart

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
Vorzeit bis　zur Gegenwart: aus dem Besitz de Württembergischen Landesmuseums Stuttgart

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Conrad, called Elly) and GustavGermany 1901–Buckinghamshire, Britain, 1991, and Stuttgart

This picture was painted in 1653 for the Sicilian nobleman Don Antonio Ruffo (1610/11–1678) and sent from Amsterdam to his palace in Messina during the summer of 1654. Ruffo was an avid collector; at his death he had 364 paintings, including a work by Van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, now also in The Met (Stuttgart, 1886, text vol., no. 159. Emile Michel.

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
Vorzeit bis　zur Gegenwart: aus dem Besitz de Württembergischen Landesmuseums Stuttgart

The low relief carving on this ivory panel represents the progress of the hunt in three scenes. On the left, the chase begins as a hunter on a galloping horse blows his horn while his dog runs beside him and　court ladies watch from the parapets of the castle
Stuttgart: Jos. Roth’sche Verlagsbuchhandlung, 1895. pp. 92–93, fig. 11.

Renowned pipa player Wu Man returns to The Met to perform Lou Harrison’s Pipa Concerto with The Knights.
on a concert series that celebrated Lou Harrison’s eightieth birthday, with the Stuttgart

This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
Vorzeit bis　zur Gegenwart: aus dem Besitz de Württembergischen Landesmuseums Stuttgart

baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
Stuttgart, 1930, pp.

[By 1918, R.D. Messayeh, New York]; [1919, purchased by Joseph Brummer from Messayeh, New York (Brummer inv. no. N315)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
Stuttgart: G. Kilpper, pl. 15. Newsweek. 1958. Archaeology: The Worlds Below.

Excavated at the Villa of P. Fannius Synistor, Boscoreale, about a mile from Pompeii (Cavenaghi 1901, p. 5; Barnabei 1901, pp. 71-81). 1899-1900, frescoes excavated by Vincenzo de Prisco; [until 1903, with Cesare and Ercole Canessa, Naples and Paris]; acquired in 1903, purchased from C
Eine Welt im Umbuch.. p. 108, Stuttgart: Konrad Theiss Verlag.