The head of this statue was purchased in 1925 from Elias S. David, London, by Joseph Brummer (Brummer inv. no. P2050). The Metropolitan Museum of Art purchased it from the estate of Joseph Brummer in 1947 (47
Stuttgart: Franz Steiner Verlag, pp. 365-6. Invernizzi, Antonio. 1992.
James Stuart was a loyal supporter of his cousin Charles I and served in high posts at court, such as Gentleman of the Bedchamber and Lord Steward of the Household. He was installed as Knight of the Garter on November 6, 1633, and in 1641 was created Duke of Richmond
Stuttgart, 1909, p. 514, ill. p. 371 [2nd ed. by Gustav Glück, 1931, pp.
Staatsgalerie Stuttgart. „Magie der Zahl in der Kunst des 20.
Marking: Arms (on shield of figure on right and left socle panel; on right and left panel of altar): Arms of Archbishop Don Dalmau de Mur y Cervelló(central shield on altar): Arma Christi
Stuttgart: Arnoldsche Art Publishers, 2023. fig. 6,10 p. 83, 87.
This rectangular ivory panel once formed the cover of a writing tablet. On one side of the panel, a young woman and a man with a hawk kneel before the winged god Cupid (usually called Amor or The God of Love in contemporary texts)
Stuttgart: Jos. Roth’sche Verlagsbuchhandlung, 1895. p. 402, fig. 31.
Nineteenth-century house albums from Watson Library and the Department of Drawings and Prints Library.
Germany, Stuttgart.
This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
Vorzeit bis　zur Gegenwart: aus dem Besitz de Württembergischen Landesmuseums Stuttgart
This roundel is a rare and splendid example of early fifteenth-century Franco-Flemish embroidery. The detailed pictorial design and luminous palette, created by colored silk and metallic threads, highlight the sophistication of this medium, which was so highly prized during this period
Vorzeit bis　zur Gegenwart: aus dem Besitz de Württembergischen Landesmuseums Stuttgart
