?Sir Paul Methuen, London (until d. 1757); his cousin, Paul Methuen, Corsham Court, Chippenham, Wiltshire (1757–d. 1795); his son, Paul Cobb Methuen, Corsham Court (1795–d. 1816; cat., 1806, p. 54, no
Stuttgart, 1909, ill. p. 137 [2nd ed. by Gustav Glück, 1931, ill. p. 83], as an
This work is usually identified as depicting Marius’s victory over the invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
Exh. cat., Graphische Sammlung Staatsgalerie Stuttgart. 1970, p. 127, under no. 146
Inscription: Signed (lower right, in black ink): GroszMarking: Stamped (verso, lower left, in purple relief printed ink and pen and black ink): George Grosz Nachlass / 1 / 112 / 7 [Estate stamp]
Exh. cat., Staatsgalerie Stuttgart. New York, 2022, p. 42, fig. 28 (color).
Stuttgart: Kroner, pl. 23. Johansen, Flemming. 1978.
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
Stuttgart, 1886, p. 221, judging only from the woodcut in Ref.
Winterthur, Switzerland, 1892–Zürich, 1973, and Schaffhausen, Switzerland, 1894–Zürich, 1969
encouraged by Hans Arp, became a practicing artist herself, studying under Adolf Hözl in Stuttgart
Inscription: With a large calligraphic letterpress inscription in German: „Die Portenn der Eeren/ unnd Macht.“Numbered ’18‘ in pen and brown ink below image, lower right corner and ‚No
Stuttgart and Leipzig, 1906, cat. no. 291.XIV, ill. F. W. H.
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
1957-58, excavated on behalf of the Joint Expedition to Nippur (Baghdad School of the American Schools of Oriental Research and The Oriental Institute of the University of Chicago); acquired by the Museum in 1958, as a result of its financial contribution to the excavations
Stuttgart: Franz Steiner Verlag, pp. 95-7. Frayne, Douglas. 1997.
