?Sir Paul Methuen, London (until d. 1757); his cousin, Paul Methuen, Corsham Court, Chippenham, Wiltshire (1757–d. 1795); his son, Paul Cobb Methuen, Corsham Court (1795–d. 1816; cat., 1806, p. 54, no
Stuttgart, 1909, ill. p. 137 [2nd ed. by Gustav Glück, 1931, ill. p. 83], as an
The exhibition opens with a gallery dedicated to the Venetian experience of traveling to and living in Islamic lands in the eastern Mediterranean. As recent scholarship convincingly demonstrates, trade, travel, and cultural and diplomatic relations were the most important vehicles The The In An
libraries, and private collections in Berlin, Düsseldorf, Frankfurt-am-Main, Munich, Stuttgart
Inscription: Inscribed on the brass side straps: IHESVS AVTEM TRANSIENS PERMEDIVM ILLORVM IBAT AMEN (But Jesus passing through their midst went his way. – John 8:59); SO MAN ALIR DING GELT SO IST RETHT VON DAS BEST (If the claims are valid, the justice[resulting] from them is the best)
1413–1480) Attributed to Heinrich Heid von Winterthur (probably Swiss, active Stuttgart
Along with the Virgin and Child with Saint Anne (The Met 14.40.633), the Salvator Mundi (Savior of the World) is one of two exceptional paintings by Albrecht Dürer in the collection of The Metropolitan Museum
Stuttgart, 1886, p. 221, judging only from the woodcut in Ref.
Inscription: Signed (lower right, in black ink): GroszMarking: Stamped (verso, lower left, in purple relief printed ink and pen and black ink): George Grosz Nachlass / 1 / 112 / 7 [Estate stamp]
Exh. cat., Staatsgalerie Stuttgart. New York, 2022, p. 42, fig. 28 (color).
Winterthur, Switzerland, 1892–Zürich, 1973, and Schaffhausen, Switzerland, 1894–Zürich, 1969
encouraged by Hans Arp, became a practicing artist herself, studying under Adolf Hözl in Stuttgart
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
1957-58, excavated on behalf of the Joint Expedition to Nippur (Baghdad School of the American Schools of Oriental Research and The Oriental Institute of the University of Chicago); acquired by the Museum in 1958, as a result of its financial contribution to the excavations
Stuttgart: Franz Steiner Verlag, pp. 95-7. Frayne, Douglas. 1997.
Since the Renaissance, humanists supported the view that princely magnificence was symbolized best by luxurious displays, public ceremonies, large public projects such as dynastic buildings, and assembling important art collections. Artistic objects in pietre dure—literally, „hard stones“ in Italian—embodied the The Extravagant
Stuttgart and Freiburg-im-Breisgau Two craftsmen stood out among the stoneworkers
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
