Waropen artist – Headrest – Cenderawasih Bay region – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/311955
Number: 1978.412.1515 Kibler, New Guinea, collected before 1908; Linden-Museum, Stuttgart
Dein Suchergebnis zum Thema: Stuttgart
Claude Monet – The Four Trees – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437121
Exh. cat., Staatsgalerie Stuttgart. Stuttgart, 2006, p. 108, fig. 83 (color).
Results for „Greek, South Italian, Apulian“ – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search?q=Greek%2C+South+Italian%2C+Apulian&perPage=20&sortBy=Relevance&offset=0&pageSize=0
Search art at the Metropolitan Museum.
Iliupersis Painter ca. 375–350 BCE Terracotta thymiaterion (incense burner) Stuttgart
New Vision Photography – The Metropolitan Museum of Art https://www.metmuseum.org/essays/the-new-vision-of-photography
Photography’s long-acknowledged power to mirror the face of the world was by no means abandoned, but in the 1920s and ’30s a host of unconventional forms and techniques suddenly flourished.
The most significant of these was Film und Foto, an exhibition held in Stuttgart,
Style of Jacob Backer – Portrait of an Old Woman – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435597
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
Stuttgart, 1886, text vol., no. 307. Paul Eudel.
The Temple of Dendur – Roman Period – The Metropolitan Museum of Art https://www.metmuseum.org/de/art/collection/search/547802
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
Stamp seal and modern impression: unicorn and incense burner (?) – Indus – Mature Harappan – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324062
1902-1934, acquired by John H. Marshall from the Montgomery district of the Punjab Province of British India, in what is now Pakistan; acquired by the Museum in 1949, purchased from Sir John Hubert Marshall, Guildford, Surrey
Stuttgart: Kohlhammer-Verlag, p. 210.
Ludwigsburg Porcelain Manufactory – Pas de Deux – German, Ludwigsburg – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/207086
Marking: Painted in underglaze blue enamel on underside: [1] Crowned interlaced c’s; Incised underglaze on underside: [2] UM; [3] 3M; Incised on underside: [4] No 2; Painted in purple enamel on underside: [5] Painter’s mark S
factory, Duke Karl Eugen of Württemberg, was also the founder of what is now the Stuttgart
Giovanni Battista Tiepolo – The Battle of Vercellae – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437794
This work is usually identified as depicting Marius’s victory over the invading Cimbrian Gauls at Vercellae, in Lombardy, an event that took place in 101 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
Exh. cat., Graphische Sammlung Staatsgalerie Stuttgart. 1970, p. 127, under no. 146
Head of Gudea – Neo-Sumerian – Neo-Sumerian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324061
Stuttgart: Kroner, pl. 23. Johansen, Flemming. 1978.