Waropen artist – Headrest – Cenderawasih Bay region – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/311955
Number: 1978.412.1515 Kibler, New Guinea, collected before 1908; Linden-Museum, Stuttgart
Number: 1978.412.1515 Kibler, New Guinea, collected before 1908; Linden-Museum, Stuttgart
Search art at the Metropolitan Museum.
Iliupersis Painter ca. 375–350 BCE Terracotta thymiaterion (incense burner) Stuttgart
Exh. cat., Staatsgalerie Stuttgart. Stuttgart, 2006, p. 108, fig. 83 (color).
Photography’s long-acknowledged power to mirror the face of the world was by no means abandoned, but in the 1920s and ’30s a host of unconventional forms and techniques suddenly flourished.
The most significant of these was Film und Foto, an exhibition held in Stuttgart,
1902-1934, acquired by John H. Marshall from the Montgomery district of the Punjab Province of British India, in what is now Pakistan; acquired by the Museum in 1949, purchased from Sir John Hubert Marshall, Guildford, Surrey
Stuttgart: Kohlhammer-Verlag, p. 210.
Marking: Painted in underglaze blue enamel on underside: [1] Crowned interlaced c’s; Incised underglaze on underside: [2] UM; [3] 3M; Incised on underside: [4] No 2; Painted in purple enamel on underside: [5] Painter’s mark S
factory, Duke Karl Eugen of Württemberg, was also the founder of what is now the Stuttgart
HistoryAfter the conquest of Egypt in 31 B.C., Augustus confiscated the property of Egyptian temples and centralized their administration. As a kind of compensation, he commissioned at least 17 building projects for local gods, including the small Isis-temple of Dendur (ancient Tutzis) in Lower Nubia
Franz Christian Gau, Antiquités de la Nubie (Stuttgart, 1822), plate 24.
When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
Stuttgart, 1886, text vol., no. 307. Paul Eudel.
The exhibition opens with a gallery dedicated to the Venetian experience of traveling to and living in Islamic lands in the eastern Mediterranean. As recent scholarship convincingly demonstrates, trade, travel, and cultural and diplomatic relations were the most important vehicles The The In An
libraries, and private collections in Berlin, Düsseldorf, Frankfurt-am-Main, Munich, Stuttgart
Inscription: Inscribed on the brass side straps: IHESVS AVTEM TRANSIENS PERMEDIVM ILLORVM IBAT AMEN (But Jesus passing through their midst went his way. – John 8:59); SO MAN ALIR DING GELT SO IST RETHT VON DAS BEST (If the claims are valid, the justice[resulting] from them is the best)
1413–1480) Attributed to Heinrich Heid von Winterthur (probably Swiss, active Stuttgart