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Lycurgus Painter ca. 360–340 BCE Terracotta thymiaterion (incense burner) Stuttgart
Early Animal RugEarly animal rugs of Anatolia have long held a special fascination for Western scholars, perhaps because the type has such strong historical ties to Europe as objects of high status
Exhibition, Deichtorhallen, Hamburg; Linden-Museum, Stuttgart.
Signature: Engraved on left side of case: MEFECIT · CHAS / PARVS · BOHEMVS / INVIÆNNA · AVS / TRIA ANNO / 1568Marking: Each struck twice on movement:[1] crescent moon and the initial B inside a trefoil motif
and Vices at the Court of Charles V Hans Daucher (German, Ulm ca. 1485–1538 Stuttgart
Inscription: Signed (lower right, in black ink): Grosz; inscribed (lower left, in graphite): Der Dollar 300 / Der Dollar 300 / K [?] 14 39; inscribed (lower center, in pencil): II; inscribed (lower right, in graphite): M [?] 28L [?]
Staatsgalerie Stuttgart. "Glitzer und Gift der Zwanzigerjahre.
Langenbielau, Lower Silesia, Germany, 1870–Munich, 1965
Dresden, Düsseldorf, Essen, Hanover, Madrid, Munich, New York, Ottawa, Rotterdam, Stuttgart
Goldap, Poland 1878—Siegsdorf, Germany, 1955
painter for whom Schmidt sat in 1921 (the portrait is now at the Staatsgalerie Stuttgart
This work is usually identified as depicting the bloody capture of Carthage by Publius Cornelius Scipio, an event that took place in 146 B.C. It is from a series of ten monumental canvases of scenes from Roman history that Tiepolo painted for the grand reception room of the Palazzo Dolfin in Venice
Exh. cat., Graphische Sammlung Staatsgalerie Stuttgart. 1970, p. 127, under no. 146
Schreiber (Esslingen bei Stuttgart) Date: ca. 1890 Medium: Color lithographs Dimensions
Lille, France, 1821–Paris, 1891
1875; Fogg Art Museum, Cambridge, Mass.) and that of his wife (1876;Staatsgalerie, Stuttgart
Like a good number of works formerly attributed to Rembrandt, this large canvas was included in catalogues of the artist’s work through Bauch’s corpus of 1966 and then rejected by Gerson (1968, 1969). In 1923, however, Van Dyke, no doubt responding to the frequent suggestion of Frans Hals’s influence on the painting, assigned it to that master or to the „Hals School
Stuttgart, 1886, text vol., no. 468. Cosmo Monkhouse. "A Northern Home."
