Dein Suchergebnis zum Thema: Stuttgart

One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Stuttgart, 1848, p. 746, relates it to the Dresden Saint Francis altarpiece.

The artist’s brother-in-law, Léon Appert, Paris (in 1892); Félix Fénéon, Paris (by 1904–at least 1909); [Stephan Bourgeois, New York, by 1916–at least 1918]; Adolph Lewisohn, New York (1919–d
Stuttgart. Kunstverein.

This beautiful and moving picture was acquired in 1908 by one of Bellini’s most eloquent admirers, the great British critic Roger Fry (1866–1934), who was employed by the Museum at the time (see Fry 1908)
Stuttgart, 1930, p. 210, ill. p. 118, dates it about 1490 or later, observing the

For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
Stuttgart, 1960, pp. 87–89, pl. 89, as a self-portrait. Gerald Eager.

Inscription: Recto inscribed toward the center of the upper border in pen and medium brown ink by Leonardo, script reading from right to left:ilramarro . fedele allomo vede[n]do quello adorme[n] / tato
Klassiker der Kunst in Gesamtausgaben. 37, Stuttgart and Berlin, 1931, pp. 233, 399

Stuttgart, 1990, p. 18. Lisa Mintz Messinger in Jackson Pollock: Zeichnungen.

The Picture: A vase of flowers stands on a stone socle, its contents spilling forth from the surrounding alcove. Visible on the heavily shadowed vase, perhaps made of terracotta or gilt bronze, are the plump figure of a reclining putto, vegetable ornamentation, and a grotesque face
Stuttgart, 1988, p. 243, pl. XXXI. Katharine Baetjer.

Stuttgart, 1905, p. 243. Ernst Berger. Böcklins Technik.

The Artist: A successor of Jan van Eyck and Petrus Christus, and a contemporary of Gerard David, Hans Memling was among the most important artists of fifteenth-century Bruges. Although he spent the majority of his career in that thriving city, he was born around 1435–40 in the German town of Klein-Krotzenburg near Seligenstadt, south-east of Frankfurt, Germany
after a lost composition by Dieric Bouts, including the Ehningen altarpiece in Stuttgart

Exh. cat., Staatsgalerie Stuttgart.