Knoedler & Company, M. | National Gallery of Art https://www.nga.gov/artists/789-knoedler-company-m
Knoedler & Company, Souvenir of Montauk, 1971, lithograph in black on Akawara laid
Dein Suchergebnis zum Thema: Souvenir
Brame, Hector | National Gallery of Art https://www.nga.gov/artworks/provenance/682-brame-hector
wove paper · Accession ID 1985.64.109 Artwork Jean-Baptiste-Camille Corot, Souvenir
Ron Adams | National Gallery of Art https://www.nga.gov/artists/19938-ron-adams
Discover works by Ron Adams and learn about the artist
1996.56.60 Artwork Jasper Johns, Ron Adams, Serge Lozingot, Gemini G.E.L., Souvenir
Picking Fruit at Ariccia by Jean-Baptiste-Camille Corot https://www.nga.gov/artworks/195861-picking-fruit-ariccia
London;[2] (his sale, Christie, Manson & Woods, London, 14 June 1912, no. 15, as Souvenir
Knoedler & Company, M. | National Gallery of Art https://www.nga.gov/artists/789-knoedler-company-m/artworks
Knoedler & Company 1846 – 2011 Displaying 1 – 12 of 19 Results Artwork Souvenir
Armand-François-Paul des Frisches, comte Doria | National Gallery of Art https://www.nga.gov/artworks/provenance/10258-armand-francois-paul-des-frisches-comte-doria
Discover works by Armand-François-Paul des Frisches, comte Doria and learn about the artist
canvas · Accession ID 1970.17.83 Bibliography Show Bibliography 1899 Album souvenir
On the Sleigh by Marc Chagall https://www.nga.gov/artworks/79298-sleigh
Pinkus / en l’on souvenir / vence. / 1958 Marc Chagall Watermarks ARCHES Research
Victor-Auguste de Saint-Rémy by Théodore Chassériau https://www.nga.gov/artworks/93050-victor-auguste-de-saint-remy
Inscriptions & Marks Inscriptions lower left in graphite: A monsieur de / St Remy- / souvenir
Memorial Relief (Hand of a Child) by Auguste Rodin https://www.nga.gov/artworks/61103-memorial-relief-hand-child
Inscriptions on flat surface above the hand: OFFERTE / A MADAME ELYSABETH MERRILL / EN SOUVENIR
The Kiss (Le Baiser) by Auguste Rodin https://www.nga.gov/artworks/1008-kiss-le-baiser
Nineteenth-century viewers and critics were immediately taken with Rodin’s three-dimensional group, entitled Paolo and Francesca , the passionate lovers from the fifth canto of Dante’s Inferno . When one enthusiastic critic referred to it as The Kiss , the new title stuck, and the association with Dante’s ill-fated lovers gave way to a more contemporary, universal response to their passionate embrace.
In 1902 Rodin presented it as a souvenir to a loyal American patron, Kate Simpson